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Pascal-Adolphe-Jean Dagnan-Bouveret

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Portrait of Gustave Courtois Print by Pascal Adolphe Jean Dagnan-Bouveret

Portrait of Gustave Courtois

Madonna of the Arbor Print by Pascal-Adolphe-Jean Dagnan-Bouveret

Hamlet and the Gravediggers

Hamlet and the Gravediggers Print by Pascal Adolphe Jean Dagnan-Bouveret

Madonna of the Arbor

Madonna of the Rose Print by Pascal-Adolphe-Jean Dagnan-Bouveret

Madonna of the Rose

Young Woman in a Garden of Oranges Print by Pascal-Adolphe-Jean Dagnan-Bouveret

Young Woman in a Garden of Oranges

Bouderie. Gustave Courtois in his Studio Print by Pascal-Adolphe-Jean Dagnan-Bouveret

Bouderie. Gustave Courtois in his Studio

The Pardon in Brittany Print by Pascal-Adolphe-Jean Dagnan-Bouveret

The Pardon in Brittany

A Woman from Bern. Switzerland Print by Pascal-Adolphe-Jean Dagnan-Bouveret

A Woman from Bern. Switzerland

The Petit Savoyard Eating in Front of an Entrance to a House Print by Pascal-Adolphe-Jean Dagnan-Bouveret

The Petit Savoyard Eating in Front of an Entrance to a House

On the Summit Print by Pascal-Adolphe-Jean Dagnan-Bouveret

On the Summit

Gypsy Scene Print by Pascal-Adolphe-Jean Dagnan-Bouveret

Gypsy Scene

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Breton Girl

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Marguerite au Sabbat

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Ophelia

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The Conscripts

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The Last Supper

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Wedding Party at the Photographer's Studio

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Hamlet and the Gravediggers Print by Pascal Adolphe Jean Dagnan-Bouveret

Hamlet and the Gravediggers

Pascal-Adolphe-Jean Dagnan-Bouveret (January 7, 1852 – July 3, 1929), was one of the leading French artists of the naturalist school. He was born in Paris, the son of a tailor, and was raised by his grandfather after his father emigrated to Brazil. Later he added his grandfather's name, Bouveret, to his own.
From 1869 he studied at the École des Beaux-Arts under Alexandre Cabanel and Jean-Léon Gérôme. In 1873 he opened his own studio with a fellow student Gustave-Claude-Etienne Courtois.

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Orpheus's Sorrow, 1876 (Detail)

From 1875 he exhibited at the Salon, where in 1880 he won the first-class medal for the painting An Accident, and a medal of honour in 1885 for Horses at the Watering Trough. From the 1880s Dagnan-Bouveret along with Gustave Courtois, maintained a studio in Neuilly-sur-Seine, a fashionable suburb of Paris. By that time he was recognized as a leading modern artist known for his peasant scenes, but also for his mystical-religious compositions.

References

New York Times, 25 April 1896.

Royal Academy catalogue, exhibition of modern works in painting and sculpture forming the collection of the late George McCulloch Esq, Winter Exhibition, fortieth year MDCCCCIX (1909)

Further reading

Gabriel P.Weisberg. Against the Modern: Dagnan-Bouveret and the Transformation of the Academic Tradition. New York: Dahesh Museum of Art, 2002. ISBN 0-8135-3156-X

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