ART

 

Buy Fine Art

Pietro Testa

Alexander the Great Rescued from the River Cydnus Print by Pietro Testa

Alexander the Great Rescued from the River Cydnus

Aeneas on the Bank of the River Styx Print by Pietro Testa

Aeneas on the Bank of the River Styx

Drawings

The birth and the infancy of Achilles Print by Pietro Testa

The birth and the infancy of Achilles

Achilles dragging the body of Hector around the walls of Troy Print by Pietro Testa

Achilles dragging the body of Hector around the walls of Troy

The Triumph of Galatea Print by Pietro Testa

The Triumph of Galatea

The Allegorical Figures of Reason and Wisdom Print by Pietro Testa

The Allegorical Figures of Reason and Wisdom

Allegory of Fortune Print by Attributed to Pietro Testa

Allegory of Fortune

Art Image

Don Diego in Rome

Death of Sinorix

Death of Sinorix

Fine Art Prints | Greeting Cards | Phone Cases | Lifestyle | Face Masks | Men's , Women' Apparel | Home Decor | jigsaw puzzles | Notebooks | Tapestries | ...

Alexander the Great Rescued from the River Cydnus Print by Pietro Testa

Alexander the Great Rescued from the River Cydnus

Pietro Testa (1611–1650) was an Italian High Baroque artist, best known, both to his contemporaries and modern appreciation, as a printmaker and draftsman, who was active in Rome.

Biography

Born in Lucca, thus sometimes called il Lucchesino. Testa moved to Rome early in life. One source states he was ejected from the Cortona studio in 1631, soon after joining the workshop.[1] Others state Testa trained under Pietro Paolini or under Domenichino and then Annibale Carracci, for whom he worked under the patronage of Cassiano dal Pozzo.[2] He was friends with Nicolas Poussin and Francesco Mola.

Some of his etchings, which often include work in drypoint, have a fantastic quality reminiscent of Jacques Callot, or embellishments of his Genoese contemporary Giovanni Benedetto Castiglione and even presciently suggest William Blake. His Sacrifice of Iphigenia appears to have influenced Tiepolo's rendition at Villa Valmarana (Ai Nani) in Vicenza. His early prints, from the 1630s, were often religious and were influenced by Federico Barocci. These achieve very delicate effects of light; his later ones became harder and more austere in style, as he attempted a personal version of neo-classicism, under the influence of the Carracci. Many of his later subjects were original classical subjects, the most ambitious reflecting his personal struggles. His prints were successful and frequently copied.

Between 1638 and 1644, Testa completed what is perhaps his most important work, a set of complex and highly detailed etchings on the theme of The Seasons, which served as an expression of his interest in Platonic philosophy. Sympathetic contemporaries considered these his "finest and most important works."[3]

Testa was influenced by Leonardo da Vinci to favor direct observation of natural phenomena, a fact that may have limited his productivity as an artist and might even have caused his death. Accounts of Testa's death are confused and contradictory, some suggesting murder or suicide (Testa was described as melancholic in temperament). Yet his earliest biographer, the 17th-century author Filippo Baldinucci, indicates that the death was accidental. Commenting on Testa's habit of "depicting night scenes and changes in the atmosphere and in the sky," Baldinucci states that Testa was standing on a Tiber riverbank, "drawing and observing some reflections of the rainbow in the water," when he fell in and drowned.[4]


Some works

Garden of Venus & Sacrifice of Iphigenia [1]
Sacrifice of Isaac [2]
Alcibiades Interrupts Socrates' Symposium [3]
Return of the Prodigal Son [4]
Nymphs and Satyrs in a Landscape [5]

Notes

Getty Biography.
Wittkower, p. 323.
Kammen, pp. 57-8.

Gage, p. 96.

Sources

Cropper, Elizabeth. The Ideal of Painting: Pietro Testa's Düsseldorf Notebook. Princeton, NJ, Princeton University Press, 1984.
Cropper, Elizabeth, ed. Pietro Testa, 1612-1650: Prints and Drawings. Philadelphia, Philadelphia Museum of Art, 1988.
Freedberg, Sydney J. Painting in Italy: 1500 to 1600 (The Pelican History of Art). New York, Penguin, 1979.
Gage, John. Color and Culture: Practice and Meaning From Antiquity to Abstraction. Boston, Little, Brown & Co., 1993.
Kammen, Michael G. Time to Every Purpose: The Four Seasons in American Culture. Chapel Hill, NC, University of North Carolina Press, 2004.
Wittkower, Rudolf. Art and Architecture in Italy: 1600 to 1750 (The Pelican History of Art). New York, Viking, 1973.

Artist, Italy

Artist

A - B - C - D - E - F - G - H - I - J - K - L - M -
N - O - P - Q - R - S - T - U - V - W - X - Y - Z

Paintings, List

Zeichnungen, Gemälde

Retrieved from "http://en.wikipedia.org/"
All text is available under the terms of the GNU Free Documentation License

World

Index

Hellenica World - Scientific Library