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Pierre Mignard

Paintings

Christ and the Woman of Samaria Print by Pierre Mignard

Christ and the Woman of Samaria

The Marquise de Seignelay and Two of her Sons Print by Pierre Mignard

The Marquise de Seignelay and Two of her Sons

Olympia Mancini Print by Pierre Mignard

Olympia Mancini

The family of Darius before Alexander the Great Print by Pierre Mignard and Studio

The family of Darius before Alexander the Great

Moliere Print by Pierre Mignard

Moliere

Apollo and the Muses Print by Pierre Mignard

Apollo and the Muses

Portrait of the Edouard Colbert Marquis de Villacerf Print by Pierre Mignard

Portrait of the Edouard Colbert Marquis de Villacerf

Venus and Vulcan Print by Pierre Mignard

Venus and Vulcan

Saint John the Baptist Print by Pierre Mignard

Saint John the Baptist

Portrait of a Lady in allegorical guise, holding a dish of pearls Print by Attributed to Pierre Mignard

Portrait of a Lady in allegorical guise, holding a dish of pearls

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Apollo and the muses

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Clio

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Portrait of the Edouard Colbert, Marquis de Villacerf

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Calliope, Urania and Terpsichore

Drawings

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Angel concert in clouds

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Figure of a reclining woman

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Saint John the Baptist Print by Pierre Mignard

Saint John the Baptist

Pierre Mignard (7 November 1612 – 30 May 1695), called "Le Romain" to distinguish him from his brother Nicolas Mignard, was a French painter. He was born at Troyes, and came of a family of artists; he also needs to be distinguished from his nephew Pierre (1640–1725), often called "Pierre II" or "Le Chevalier".[1]

In 1630 he left the studio of Simon Vouet for Italy, where he spent twenty-two years, and made a reputation which brought him a summons to Paris. Having found favor with the king, Louis XIV, Mignard pitted himself against Charles Le Brun and declined to enter the Academy of which Le Brun was the head. Mignard also opposed the authority of the Academy.


Portrait of Louise de Kérouaille, Duchess of Portsmouth.

Mignard spent most of his time painting portraits. Among his models were Turenne, Molière, Bossuet, Maintenon (in the Louvre), La Vallière, Sévigné, Montespan, Descartes (in Castle Howard).

With the death of Le Brun in 1690, the situation changed. Mignard succeeded to all the posts held by his opponent. He died in 1695 at Paris as he was about to begin work on the cupola of the Invalides. His best compositions have been engraved by Audran, Edelinck, Masson, Poilly and others.

There is a good selection of works by Pierre, Nicolas, and Pierre II in Avignon at the Musée Calvet. The Courtauld Institute of Art (London), Harvard University Art Museums, the Hermitage Museum, the Honolulu Museum of Art, Kunst Indeks Danmark, the Louvre, Musée d'Art et d'Histoire (Geneva), Musée des Augustins (Toulouse, France), Musée Ingres (Montauban, France), Museo Lombardi (Parma, Italy), the Museum of Fine Arts, Houston, the National Gallery, London, the National Portrait Gallery, London, the North Carolina Museum of Art, the Portland Art Museum and Versailles are among the public collections holding works by Pierre Mignard.


Ecce homo, 1690.

Notes

5 Mignard artists listed by the Getty Union Artist Name List

References
Public Domain This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
Herbermann, Charles, ed. (1913). "Pierre Mignard". Catholic Encyclopedia. New York: Robert Appleton Company.

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