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Joseph-Desire Court

Paintings

Joseph-desire Court Painting - Countess De Pages Nee De Cornellan As St Catherine by Joseph-Desire Court

Countess De Pages Nee De Cornellan As St Catherine

 Painting - Woman Reclining On A Divan by Joseph-Desire Court

Woman Reclining On A Divan

Death  of Hippolytus

Death of Hippolytus

Joseph-Désiré Court (September 14, 1797 – January 23, 1865) was a French painter of historical subjects and portraits.

Court was born at Rouen. He became a pupil at the École des Beaux-Arts under Gros, and after carrying off the principal honours there pursued his studies still further at Rome. High expectations were formed of him when he exhibited in 1827 'The Death of Caesar,' a work manifesting earnest thought, and a conscientious handling of the facts of history. This is now preserved in the Louvre. Having shown himself in this and other works a vigorous painter, capable of seizing a subject with a masterly grasp, and having also in the region of portrait painting proved himself an artist of no common merit, he eventually dissipated his talents in the production of a series of empty official pictures painted by order of Louis Philippe. He died in Paris in 1865. The Bordeaux Museum has a portrait of Henri Fonfrède by him; that of Lyons, a 'Scene in the Deluge'; that of Rouen, ' Boissy-d'Anglas saluting the head of Féraud.'


Portrait of prince Peter of Oldenburg in uniform of L-G Preobrajensky Regiment, 1842


Gallery

Portrait of Victor Rifaut. 1822

1829

Guy-Victor Duperré. 1832.

Gilbert du Motier, marquis de Lafayette. 1834

Adam Philippe, Comte de Custine. 1834

The King gives the flags to the National Guard of Paris and the Banlieu (29 August 1830). 1834

Sylvain Charles Valée. 1838

Portrait of Marguerite Louise Cibiel and of Marie Aglaure Cibiel paging through a book. 1839

Rigolette keeping herself busy while Germain is away. 1842

Jean-François Allard

References

This article incorporates text from the article "COURT, Joseph Désiré" in Bryan's Dictionary of Painters and Engravers by Michael Bryan, edited by Robert Edmund Graves and Sir Walter Armstrong, an 1886–1889 publication now in the public domain.

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