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Girolamo Romanino


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Girolamo Romanino

Pegasus and the Muses

Girolamo Romanino

Saint Alexander

Girolamo Romanino

Saint Filippo Benizzi

Girolamo Romanino

Saint Gaudioso

Girolamo Romanino

Saint Jerome

Girolamo Romanino

The Nativity

Girolamo Romanino

Christ Carrying the Cross

Girolamo Romanino

Christ before Pilate, and Flagellation of Christ

Girolamo Romanino

Christ Crowned with Thorns, and Ecce Homo

Girolamo Romanino

Christ before Pilate (detail)

Girolamo Romanino

Ecce Homo

Girolamo Romanino

Madonna and Child

Girolamo Romanino

Portrait of a Man

Girolamo Romanino

Pietà

Girolamo Romanino

Presentation of Jesus at the Temple

Girolamo Romanino

Self-portrait (?)

Girolamo Romanino

Two Nude Men

Girolamo Romanino

Concert Champêtre

Girolamo Romanino

Portrait of a Gentleman

Girolamo Romanino

The Deposition

Girolamo Romanino

Girolamo Romanino

Portrait of Teofilo Folengo

Girolamo Romanino

Portrait of a man

Girolamo Romanino

Dinner at the Pharisee's house, St. John evangelist

Girolamo Romanino

Madonna monti

Girolamo Romanino

St. Jerome penitent

Girolamo Romanino

Resurrection of Christ

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Featured Art - The Nativity by Girolamo Romanino

The Nativity

Girolamo Romani (Romanino) (c. 1485 – c. 1566) was an Italian High Renaissance painter active in the Veneto and Lombardy, near Brescia. His long career brought forth several different styles.

Biography

Romani was born in Brescia. His early training and life are not well documented.

A Quattrocento-esque Pietà, painted for the church of San Lorenzo of Brescia, dated from 1510, is exhibited in the Accademia. He took up residence in Venice in his twenties, at the latest by 1513. He was commissioned to complete a Madonna enthroned with four saints for the church of Santa Giustina in Padua in 1513.[1] The coloration of the painting is of Venetian style, but the duller visages in bejeweled setting recalls styles of previous generations. He completed series of frescoes for Niccolò Orsini's Palace in Ghedi.

Romanino completed four frescoes in the nave of the cathedral of Cremona in 1519-1520 depicting stories of the Passion of Christ. His paintings have eclectic influences using Venetian coloration with Florentine-Lombard modeling. In the Cremona frescoes, the Lombard influence of Altobello Melone is strong, in the narrative and decorative elements of the fresco.[2] By 1521, Romanino was replaced by Il Pordenone in the decoration of the church.

He then returned to Brescia to work (1521–1524) with Alessandro Bonvicino in the decoration of the "Cappella del Sacramento" in San Giovanni Evangelista.


Romanino, Christ Carrying the Cross

His St. Matthew and the Angel depicts the apostle at work under candlelight, and represents one of the first such nocturnes in Italian painting, a device which Correggio and Cambiaso would soon pursue.[3] He also helped decorate the Palazzo Averoldi. A series of frescoes in the Castle of Malpaga, near Bergamo (1520-1530s), celebrating the life of Bartolomeo Colleoni, is attributed to him.

In 1531 to 1532, he worked with Dosso Dossi in fresco decoration of Castello del Buoncosiglio in Trento. He completed organ shutters for the church of Asola on Augustus and the sibyl, and Sacrifice of Isaac. He died between 1559-1561. His main pupils were his son-in-law Lattanzio Gambara, Girolamo Muziano, and Stefano Rosa.[4] He is also known to have influenced artists such as Giulio Campi.[5]


Stolen painting

Shortly after the 1940 Nazi invasion of France, Romanino's painting "Christ Carrying the Cross" was stolen from the household of Frederico Gentili di Giuseppe, an Italian Jew. In 2012, it was discovered among items lent to an American museum from an Italian museum. Through the help of an anonymous tip, Interpol and the United States Department of Homeland Security, it was eventually returned to Giuseppe's heirs. Presently it is insured for US$2.5 million.[6]

References

Museo Civico, Padua
Freedberg SJ. p 363
St. Matthew and the Angel from S. Giovanni Evangelista.
Museum Biography
In Campi's early work, Virgin and Child with SS Nazarius and Celsus (1527; Cremona, S Abbondio)

"474-year-old painting stolen by Nazis given to owner's heirs" from MSNBC

Sources

Freedberg, Sydney J. (1993). Pelican History of Art, ed. Painting in Italy, 1500-1600. pp. 360–367 Penguin Books Ltd.

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