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Giampietrino

Paintings

Salvator Mundi Print by Giampietrino

Salvator Mundi

The Virgin and Child Icosidodecahedron Print by Giampietrino

The Virgin and Child Icosidodecahedron

Sophonisba Print by Giampietrino

Sophonisba

Dido Print by Giampietrino

Dido

Madonna And Child Print by Giampietrino

Madonna And Child

Madonna and Child with Saint Elizabeth and the Infant Saint John the Baptist Print by Giampietrino

Madonna and Child with Saint Elizabeth and the Infant Saint John the Baptist

Christ carrying his Cross Print by Giampietrino

Christ carrying his Cross

Ecce Homo Print by Giampietrino

Ecce Homo

Virgin and Child Print by Giampietrino

Virgin and Child

Diana the Huntress Print by Giampietrino

Diana the Huntress

Madonna and Child Print by Attributed to Giampietrino

Madonna and Child

Giampietrino

The Virgin and Child Icosidodecahedron

Giampietrino

Salome

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Salvator Mundi Print by Giampietrino

Salvator Mundi

Giampietrino, probably Giovanni Pietro Rizzoli (active 1495–1549),[1] was a north Italian painter of the Lombard school and the Leonardo circle, succinctly characterized by Sidney J. Freedberg as an "exploiter of Leonardo's repertory."[2]

Biography


The Virgin Nursing the Child with St. John the Baptist in Adoration, by Giampietrino, ca. 1500–20, Museu de Arte de São Paulo

Giampietrino was a very productive painter of large altarpieces, Madonnas, holy women in half figure, and mythological women. For a long time, the true identity of the artist was unknown; he was only known as a so-called "Giampietrino" whose name appeared in lists of the members of Leonardo's studio. In 1929, Wilhelm Suida suggested that he could perhaps be Giovanni Battista Belmonte, since a Madonna signed with this name and dated 1509 had been associated stylistically with Giampietrino. Since then, this assumption is considered outdated, and Giampietrino is identified predominantly with Giovanni Pietro Rizzoli, who is known through documents.

Giampietrino has been regarded as a talented painter who contributed substantially to the distribution of the late style of Leonardo da Vinci. He copied numerous masterpieces by Leonardo, as well as leaving behind numerous capable original compositions of his own. Many of his works are preserved in multiple versions of the same subject.

Selected works

Amsterdam, Rijksmuseum
Mary with the Child. (attributed)
Berlin, Gemäldegalerie
St. Mary Magdalene in the prayer.
St. Catharine of Alexandria
Weeping Christ with a founder.
The Birth Christ. (attributed)
Budapest, Hungary Museum of Fine Arts
Madonna and Child with Saints Jerome and Michael (1535)
Burgos, Cathedral
Mary Magdalene.
Cambridge (Massachusetts), Fogg Art Museum, Harvard University Art Museum
The Holy Family.
Chantilly, Musée Condé
Head of a Woman. (Fragment)
Gazzada Schianno, Museo mansion Fagnola
The Holy Family.
Gloucester, Highnam Court
Mary with the Child (Madonna with the Lily). (attributed)
Isola Bella, Collezione Borromeo
Dido.
Sophronia.
Kassel, Old Master Picture Gallery
Leda and the Swan.
Lewisburg, Bucknell University Art Gallery
Cleopatra. around 1525
London, Courtauld institutes Galleries
Mary with the Child and the St. Jerome. (attributed)
Mary with the Child (Madonna with the Lily). (attributed)
London, National Gallery
Christ, Carrying the Cross. around 1510 - 1530
Salome. around 1510 - 1530
London, Private Collections
Salome.
Ecce Homo.

London, Royal Academy
The Holy Communion.
The Last Supper, after Leonardo da Vinci
Madison (Wisconsin), Chazen Museum of Art, University of Wisconsin–Madison
Lucrezia Romana. around 1525
Milan, Collezione Brivio Sforza
The Nymph Hegeria.
Milan, Collezione Nembrini
Venus and Cupid.
Milan, Private collection
Christ with the Crown of Thorns.
Milan, Collezione Rob Smeets
Mary with the Child (Madonna with the Cherries).
Milan, Museo Bagatti Valsecchi
Polyptych: Madonna Enthroned with Saints, Christ the Redeemer, and Christ as Salvator Mundi.

Milan, Pinacoteca Ambrosiana
Mary with the Child.
The Holy Family with St. Roch
St. John the Evangelist.
Ecce homo.
Milan, Pinacoteca del Castello Sforzesco
St. Mary Magdalene
Milan, Pinacoteca di Brera
St. Mary Magdalene Reading.
Paying for Mary Magdalene.
Mary with the Child and the Lamb. (unfinished)
Mary with the Child.
Milan, Sant' Alessandro
Christ at the Scourge Column.
Morimondo, Abbazia di Santa Maria di Morimondo
Christ, Sitting at the Grave.
Nancy, Musée des Beaux-Arts
Christ as Salvator Mundi.
Neapel, Museo Nazionale di Capodimonti
St. Mary Magdalene in Prayer.
Mary with the child and Sts. John the Baptist and Jerome.
New York, Metropolitan Museum of Art
Diana the Huntress.
Oberlin, Allen Memorial Art Museum, Oberlin College
Cleopatra. around 1520 - 1540 (attributed)
Ospedaletto Lodigiano, parish church
Mary with the Child and the Sts. Jerome and John the Baptist.
Paris, Musée National du Louvre
The Death of Cleopatra by an Asp.
Pavia, Curia Vescovile
Mary with the Child and Sts. Jerome and John the Baptist.
Ponce, Museo di Arte de Ponce
St. John the Baptist. around 1530
Ponte Capriasca, Sant' Ambrogio
Mary with the Child of Loretto with Sts. John the Baptist and Katharina of Alexandria.
Portland, Oregon Portland Art Museum
St. Mary Magdalene. c. 1521; holding jar of oil
Prague, Sternbersky Palace
St. Mary Magdalene
Rome, Galleria Borghese
Mary with the Child.
Rouen, Musée des Beaux Arts
Penitent St. Jerome
Seattle, Seattle Art museum
Mary with the Child and St. John the Baptist. around 1510 - 1515
San Francisco, Fine Arts museum
St. Catherine of Alexandria.
St. Petersburg, Hermitage Museum
Mary with Child. around 1520 - 1530
Christ with the Symbol of the Holy Trinity
Praying St. Mary Magdalene.
St. John the Evangelist. (attributed)
São Paulo, Museu de Arte
The Virgin Nursing the Child with St. John the Baptist in Adoration. around 1500 - 1520
Turin, Galleria Sabauda
Christ, Carrying the Cross.
Waco, Texas, Baylor University, Armstrong-Browning Library, Kress Collection
Christ, the Man of Sorrows. around 1540
Washington, Howard University Gallery of Art
St. Mary Magdalene. around 1530 (attributed)


Notes

Though Andrea Bayer says "rather securely identified" (Bayer, "North of the Apennines: Sixteenth-Century Italian Painting in Lombardy and Emilia-Romagna" The Metropolitan Museum of Art Bulletin, New Series, 60.4 [Spring, 2003], p. 19), Sydney J. Freedberg says "It is uncertain whether this painter is to be identified with Gian Pietro Rizzi or Giovanni di Pietro of Como." (Freedberg, Painting in Italy 1500-1600 3rd ed. 1993:383, note 25).

Freedberg, 1993:383.

References

William Suida: Leonardo and His Circle, (Munich: Bruckmann) 1929.
The Legacy of Leonardo, (Milan: Skira Editore S.p.A.), 1998. ISBN 88-8118-463-X

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