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Eduard Gaertner


View of Moscow from the Church of Nikita the Martyr Print by Eduard Gaertner

View of Moscow from the Church of Nikita the Martyr

Eduard Gaertner

Berlin, view from the roof of the Ravenéschen ironmongery on the Friedrichsgracht

Eduard Gaertner

The King Bridge in Berlin

Eduard Gaertner

Panorama of Berlin (right half)

Eduard Gaertner

Berlin, View of the rear facade of the houses on the Schlossfreiheit

Eduard Gaertner

Berlin, Studio of the Gropius Brothers

Eduard Gaertner

Berlin, Berliner Straße in Charlottenburg (now Otto-Suhr-Allee),

Eduard Gaertner

Berlin, looking the Spree down from the Jannowitzbruecke

Eduard Gaertner

Berlin, view from the roof of Friedrichswerdesche church on the Frederick forum

Eduard Gaertner

Berlin, Brüderstraße and St. Peter's Church

Eduard Gaertner

Berlin, Royal Opera House Unter den Linden

Eduard Gaertner

Berlin, Lange Brücke from the water

Eduard Gaertner

Berlin, panorama from the roof Friedrichwerder Church (Study)

Eduard Gaertner

Berlin, Schlossbrücke

Eduard Gaertner

Berlin, Simsonbrücke (Herkulesbrücke) with adjoining Aktienspeicher

Eduard Gaertner

Berlin Singing Academy (now Maxim Gorki Theater)

Eduard Gaertner

Berlin, Unter den Linden, Hôtel de St. Petersburg

Brandenburg an der Havel, Katharinenkirche, Fronleichnamskapelle (Detail)


Eduard Gaertner

Berlin, Schauspielhaus and Deutsche Kirche,

Eduard Gaertner

Berlin, University Portal

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Famous Artists - Rear view of the Houses at Schlossfreiheit by Eduard Gaertner

Rear view of the...

Johann Philipp Eduard Gaertner (2 June 1801, Berlin - 22 February 1877, Flecken Zechlin, in Rheinsberg) was a German painter who specialized in depictions of urban architecture.

Early life and work
Zimmerbild 96

In 1806, he moved with his mother to Kassel, where he received his first drawing lessons. They returned to Berlin in 1813 and he took up a six-year apprenticeship at the Royal Porcelain Factory. Although many artists had begun their careers at the Factory, he felt that the instruction provided was superficial and took drawing classes at the Academy of Arts.

In 1821, he accepted a position as a decorative painter in the studios of Carl Wilhelm Gropius, the Royal Court Theater painter, where he remained until 1825. During this time, he became increasingly attracted to architectural painting. He was able to finance a study trip to Paris by selling a portrait of King Friedrich Wilhelm III of Prussia to the Royal family. While there, he acquired more skill in the manipulation of light and atmosphere, and was inspired by the magnificent vistas of Medieval buildings to devote himself almost entirely to painting vedute.
Rear view of the Houses at Schloßfreiheit

Upon his return to Berlin, he became a free-lance painter. In 1829, he married and ultimately had twelve children. Over the next ten years, he devoted himself to documenting the Biedermeier style buildings of Berlin and, with Royal customers in mind, produced a series of scenes depicting the castles in Bellevue, Charlottenburg and Glienicke. In 1833, he was admitted to the Academy and designated a "Perspective Painter".

The following year, he began his most famous work: a six panel panorama of Berlin. It was painted from the roof of the Friedrichswerder Church, which is flat (and a popular place for sightseers, because all of the city's best-known buildings can be seen from there). This work was purchased by the King and a second version was bought by the King's daughter, Tsarina Alexandra Feodorovna. Its purchase became the occasion for a trip to Moscow and St.Petersburg (1837-1838), during which Gaertner painted extensively.
His career in decline

In 1840, King Friedrich Wilhelm III died. His successor, Friedrich Wilhelm IV, preferred Italian-style paintings with Greek landscapes and bought very little from Gaertner who, without the income from his principal client, soon began to have financial difficulties.
Parochialstraße (1831)

He eventually made contact with a group that was interested in the protection and restoration of monuments and needed to have an illustrated inventory of them. As a result, Gaertner travelled to villages and towns throughout Prussia, making watercolor sketches, including scenic views meant to be sold on his return to Berlin. By this means, he was able to attract some middle-class customers, but they proved to be no substitute for Royal patronage. He began to turn away from architecture, producing romantic scenes full of steep cliffs, Gypsies, ruins and oak trees, but never restored that patronage. His paintings from this period are generally considered to be inferior.

As the century progressed, he increasingly suffered from competition with the newly emerging art of photography. In 1870, he and his family decided to leave the hectic atmosphere of Berlin and settle in Flecken Zechlin, a rural area near Rheinsberg. It was there that he died in 1877. His widow requested an annual allowance of 150 Marks from the Artist Support Fund of the Academy, but her application was denied. His works were virtually forgotten until the "Deutschen Jahrhundert-Ausstellung" of 1906, when they were shown again. Major exhibitions were staged in 1968, 1977 and 2001.
His method

It is believed that he made use of a camera obscura to sketch the layouts of his paintings. Although this is not expressly mentioned in his working notes, he does make oblique references to a "drafting machine" and some of his sketches are done on tracing paper. He also possessed a collection of photographs, but there is no indication that these were used as models.

Concert Room of Sanssouci Palace, Potsdam, Germany

The Chinese Room in the Royal Palace, Berlin

The Study of Prince Karl of Prussia

Sources and further reading

Robert Dohme (1878), "Gärtner, Eduard", Allgemeine Deutsche Biographie (ADB) (in German) 8, Leipzig: Duncker & Humblot, p. 381
Irmgard Wirth (1964), "Gaertner, Johann Philipp Eduard", Neue Deutsche Biographie (NDB) (in German) 6, Berlin: Duncker & Humblot, p. 24, (full text online)
Irmgard Wirth: Eduard Gaertner. Der Berliner Architekturmaler. Propyläen, Frankfurt 1979, ISBN 3-549-06636-8.
Dominik Bartmann: Eduard Gaertner 1801–1877. Begleitband zur Ausstellung im Museum Ephraim-Palais, Berlin, 2001. Nicolai, Berlin 2001, ISBN 3-87584-070-4.
Frauke Josenhans: Gaertner, (Johann Philipp) Eduard, in: Bénédicte Savoy, France Nerlich : Pariser Lehrjahre. Ein Lexikon zur Ausbildung deutscher Maler in der französischen Hauptstadt. Vol. 1: 1793-1843. De Gruyter, Berlin/Boston 2013, ISBN 978-3-11-029057-8, S. 86–90.

External links

Eduard Gaertner – Exhibition in the Museum Ephraim-Palais, Berlin
Literature by and about Eduard Gaertner in the German National Library catalogue


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