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Alessandro Tiarini

Alessandro Tiarini Painting - The Madonna And Child With Saints by Alessandro Tiarini

The Madonna And Child With Saints

 Painting - Pieta by Alessandro Tiarini

Pieta

 Painting - Rinaldo Prevents Suicide Of Armida by Alessandro Tiarini

Rinaldo Prevents Suicide Of Armida

Alessandro Tiarini Painting - Saint Dominic And An Angel by Alessandro Tiarini

Saint Dominic And An Angel

Alessandro Tiarini

Self-portrait

Alessandro Tiarini

Nativity

Alessandro Tiarini

The Raising of Lazarus

Alessandro Tiarini

Holy Family with Saints

Alessandro Tiarini

Achilles among the daughters of Lycomedes

Alessandro Tiarini

Assumption of the Virgin

Alessandro Tiarini

Coronation of the Virgin (detail)

Alessandro Tiarini

Hunting scene

Alessandro Tiarini

The Burning of Troy

Alessandro Tiarini

San Martin resurrects a child

Alessandro Tiarini

Saint Dorothy and the Angel

Alessandro Tiarini

Three monks contemplating a crucifix

Alessandro Tiarini

Virgin and child with Saints Scholastica and Benedict

Alessandro Tiarini

The Death of the Virgin

Alessandro Tiarini

Vulcan Forges Arrows for Cupid

 Drawing - Study Of Heads by Attributed to Alessandro Tiarini

Study Of Heads

Alessandro Tiarini Drawing - The Lamentation by Attributed to Alessandro Tiarini

The Lamentation

Alessandro Tiarini

Head of a young man

Alessandro Tiarini

A friar praying

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Head Of A Young Man Print by Alessandro Tiarini

Head Of A Young Man

Alessandro Tiarini (March 20, 1577 – February 8, 1668) was an Italian Baroque painter of the Bolognese School.

St Martin Resurrects a Boy, (Santo Stefano, Bologna)


Biography

He was born in Bologna. His mother died when he was a child, and he was raised by an aunt, and early on they tried, unsuccessfully to guide him towards becoming a cleric.[1] He was the godson of painter Lavinia Fontana and initially apprenticed in Bologna under her father Prospero Fontana, and subsequently with Bartolomeo Cesi. He was not inducted into the Carracci Academy. Forced to flee from Bologna, due to what Malvasia and Amorini describe as a quarrel leading to the death of the other party. He moved to Florence, where he painted frescoes, façade decorations, and altarpieces (1599–1606) including an Adoration of the Shepherds (Pitti Palace). In Florence, he mainly worked under Domenico Passignano, but also Bernardino Poccetti and Jacopo da Empoli.

He was lured back to Bologna and Reggio Emilia, by Ludovico Carracci. His Grieving over a dead Jesus is in the Pinacoteca Nazionale of Bologna. His masterpiece in Bologna was a series of frescoes for the Brami Chapel in the sanctuary of Basilica della Ghiara. He also painted in Cremona (1623–24). In 1628, where he painted the Story of Gerusalemme Liberata for the Farnese Palazzo del Giardino in Parma. He also painted the Raising of the Cross for the Oratorio della Buona Morte in Reggio, a work now displayed in the Galleria Estense of Modena.

He painted a Virgin, Mary Magdalene, and St John, weeping over the instruments of the Passion for church of S. Benedetto; St. Catherine kneeling before a Crucifix for Santa Maria Maddalena; a Pietà for Sant'Antonio; and St Dominic resurrecting a child for the church of San Domenico. Other works in Bologna include a Martyrdom of St. Barbara for the San Petronio Basilica, a Nativity for Santissimo Salvatore, and a Flight to Egypt for San Vitale.

Tiarini died in Bologna. His closest pupils were Francesco Carbone and Luca Barbieri.
 
References

    Amorini p72

    Francis P. Smyth and John P. O'Neill (Editors in Chief (1986). National Gallery of Art, Washington DC, ed. The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. pp. 538–542.
    Marchese Antonio Bolognini Amorini (1843). Vite de Pittori ed Artifici Bolognesi. Tipografia Governativa alla Volpe ed Nobili, Bologna. pp. 72–93.
    Bryan, Michael (1889). Walter Armstrong & Robert Edmund Graves, ed. Dictionary of Painters and Engravers, Biographical and Critical (Volume II L-Z). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007: George Bell and Sons. p. 570.

  

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