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Adrian Ludwig Richter

Paintings

Crossing at Schreckenstein Print by Adrian Ludwig Richter

Crossing at Schreckenstein

The Well in the Wood at Ariccia Print by Adrian Ludwig Richter

The Well in the Wood at Ariccia

Ariccia. Morning Print by Adrian Ludwig Richter

Ariccia. Morning

Civitella. Evening Print by Adrian Ludwig Richter

Civitella. Evening

The Bay of Naples. Capri beyond Print by Adrian Ludwig Richter

The Bay of Naples. Capri beyond

Adrian Ludwig Richter

Evening Prayers in the Forest

Adrian Ludwig Richter

On the Mountain

Adrian Ludwig Richter

Ave Maria

Adrian Ludwig Richter

Encounter

Adrian Ludwig Richter

Bridal procession in Spring

Adrian Ludwig Richter

Fountain at Ariccia

Adrian Ludwig Richter

The first snow

Adrian Ludwig Richter

The Schreckenstein at Aussig

Adrian Ludwig Richter

The Watzmann

Adrian Ludwig Richter

Rocky landscape

Adrian Ludwig Richter Spring evening

Adrian Ludwig Richter Joy of spring

Adrian Ludwig Richter Genoveva in the forest solitude

Adrian Ludwig Richter Homecoming of the countrymen after Civitella

Adrian Ludwig Richter Return from the field

Adrian Ludwig Richter Shepherd's Song

Adrian Ludwig Richter In the summer

Adrian Ludwig Richter Italian Landscape with resting migrant people

Adrian Ludwig Richter Girl on the meadow: the Inn Valley at Hall

Adrian Ludwig Richter My Nest is Best

Adrian Ludwig Richter Rest under the Crossroads

Adrian Ludwig Richter Rest on the Flight

Adrian Ludwig Richter Joy of Summer

Adrian Ludwig Richter St. Anne's Church in barley in Bohemia

Adrian Ludwig Richter Pond in the Giant Mountains

Drawings

Adrian Ludwig Richter

At Frejus in Provence

Adrian Ludwig Richter

Bridge, gate and tower of the castle Bilin near Teplitz

Adrian Ludwig Richter

Plant study

Adrian Ludwig Richter

Tivoli, a view of the place, to the right of the Sibyl

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Crossing at Schreckenstein Print by Adrian Ludwig Richter

Crossing at Schreckenstein

Adrian Ludwig Richter (September 28, 1803 – June 19, 1884), a German painter and etcher, was born at Dresden, the son of the engraver Karl August Richter, from whom he received his training; but he was strongly influenced by Erhard and Chodowiecki. He was the most popular, and in many ways the most typical German illustrator of the middle of the 19th century. His work is as typically German and homely as are the fairy-tales of Grimm. Richter visited Italy from 1823–1826, and his Thunderstorm in the Sabine Mountains at the Staedel Museum in Frankfurt is one of the rare Italian subjects from his brush. In 1828 he worked as designer for the Meissen factory, and in 1841 he became professor and head of the landscape atelier at the Dresden Academy, (now Hochschule für Bildende Künste Dresden). The Dresden Gallery owns one of his best and most characteristic paintings: Bridal Procession in a Spring Landscape. An eye disease put a stop to the practice of his art in 1874; he was pensioned in 1877, and died at Loschwitz, near Dresden.

Photography

Ludwig Richter (seated) in front of the Kotzsch house. Carl Friedrich August Kotzsch

Life

The interest of his uneventful life centres within the circle of his art.[1] As a painter Richter aimed at a thorough blending of the figure element with the landscape and may be judged by the following examples: "Harvest Procession in the Campagna" (1833) and three others in the Leipzig Museum: "Ferry at the Schreckenstein" (1836) and "Bridal Procession in Springtime" (1847), in the Dresden Gallery; "View of the Riesengebirge" (1839), in the National Gallery, Berlin. One of his most notable protégés was Hermann Lungkwitz.

Among his 240 etchings are about 140 views in Saxony, others of Salzburg, Rome, and the Campagna. His individuality is most completely revealed in his 3000 or more drawingsvers. Of special charm are his illustrations for The Vicar of Wakefield (1841), for Musäus' Volksmärchen (1842) and for numerous other fairy tales, for the Goethe Album (1855), and for Schiller's Glocke (1857), and those cyclical publications which reveal the most brilliant side of the artist's inexhaustible fancy, such as Beschauliches und Erbauliches (1851); Kinderleben (1852); Fürs Haus (1858–1861); Der gute Hirt (1860); Unser täglich Brot (1866); Bilder und Vignetten (1874).


Publications

His autobiograohy, Lebenserinnerungen eines deutschen Malers, edited by his son Heinrich, (Twelfth edition, Frankfurt, 1905)
J. F. Hoff, (Dresden, 1877)
Johannes Erler, (Leipzig, 1897)
V. Mohn, (Bielefeld, 1898)
Atkinson, in Art Journal (London, 1885)
Lützow, Die vervielfältigende Kunst der Gegenwart (Vienna, 1886)
Alte und neue Studenten-Lieder (Old and new Student Songs), and Alte und neue Volks-Lieder (Old and new Folk Songs), (Leipzig 1844-47) (together with Adolf Eduard Marschner).

Notes

New International Encyclopedia

References
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Richter, Adrian Ludwig". Encyclopædia Britannica. 23 (11th ed.). Cambridge University Press. p. 312.

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