He was praised by Pliny (H. N. xxxv. 34) and Aelian. ( V. H. viii. 8.) It is difficult to ascertain, from Pliny's obscure words, wherein the peculiar merits of Cimon consisted : it is certain, however, that he was not satisfied with drawing simply the outlines of his figures, such as we see in the oldest painted vases, but that he also represented limbs, veins, and the folds of garments. He invented the Catagrapha, that is, not the profile, according to the common interpretation (Caylus, Mem. de l' Acad. vol. xxv. p. 265), but the various positions of figures, as they appear when looking upwards, downwards, and sideways; and he must therefore be considered as the first painter of perspective. It would appear from an epigram of Simonides (Anthol. Palat. ix. 758), that he was a contemporary of Dionysius, and belonged therefore to the 80th Olympiad; but as he was certainly more ancient, Kimon should in that passage be changed into Michon. (Bottiger, Archäol. d. Malerei) p. 234, &c.; Müller, Handb. § 99.)

Stelios Lydakis, Ancient Greek Painting and Its Echoes in Later Art Publisher: Getty Publishing ISBN: 0892366834

See also Painting (Zographia, Graphe)

List of Greek painters

Artist, Greece