Vincent Sellaer
Paintings
Charity
Charity
The Madonna and Child with Saints Elizabeth and other Members of the Holy Family. The Holy Kinship
Mars and Venus surprised by Vulcan
Jupiter and Antiope with Amphion and Zethus
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The Madonna and Child with Saints Elizabeth and other Members of the Holy Family. The Holy Kinship
Vincent Sellaer (1490 – 1564), was a Flemish Renaissance painter of mythological and religious subjects. Very few of the biographical details of this artist are known with any level of certainty. Although there is still no unanimous consensus, it is accepted by most scholars that Vincent Sellaer should be identified with the artist to whom the early 17th century biographer Karel van Mander referred as Vincent Geldersman. Van Mander described Sellaer as a good painter of allegories, such as Leda with two eggs, Susanna and the elders, and Cleopatra with the asp. Van Mander mentioned him in his Life of Frans Minnebroer as one of the notable painters of Mechelen. While many known versions of a Leda and the Swan have been attributed to Sellaer, none has survived that depicts a Leda with eggs.
Some art historians such as G.J. Hoogewerff have speculated that Sellaer worked for some time in Brescia and may have visited other Italian cultural centres. This Italian stay would be situated in the years 1521 to 1524.[3]
Work
To date only one painting which is signed and dated by Vincent Sellaer is known. It is the work entitled Christ blessing the Children now located in the Alte Pinakothek in Munich. Based on the characteristics of this panel a whole series of works has now been attributed to Sellaer. Many of these works depict half-length central figures, with a mythological or Christian-inspired theme.
Based on his presumed Italian residence, roughly two large spheres of influence are distinguished. First, the influence of the leonardesque-Lombardian school and in particular that of da Vinci and Brescia masters such as Moretto da Brescia and Girolamo Romani. Secondly, a Florentine-Roman influence, particularly by Andrea del Sarto and the school of Raphael. Especially the later works, including the numerous versions of the Holy Family attributed to Sellaer, combine both influences. A third influence is that of the Venetian school as shown in the use of a typical Venetian colour scheme peculiar to Titian, Romani and Veronese. Sellaer's numerous depictions of putti call to mind the work of Moretto da Brescia. Typically Italian style characteristics such as sfumato and clair-obscur are used in Sellaer's work.[2]
The monumentality of form of Sellaer's paintings was almost unseen in the Low Countries at the time. His works usually include a half-length central figure facing forward while subsidiary figures at the back help clarify the story.[4]
References
Vincent Geldersman in Karel van Mander, Schilder-boeck, 1604 (Dutch)
Stephan Vaerewyck, Vincent Sellaer, Onderzoek naar zijn mythologische, bijbelse en christelijk-geïnspireerde thematiek, master thesis, University of Gent, 2009-2010 (Dutch)
Vincent Sellaer at the Netherlands Institute for Art History (Dutch)
Karl T. Johns. "Sellaer, Vincent." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 14 Jul. 2014.
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