Valentine Cameron Prinsep
A Venetian Gaming-House in the Sixteenth Century
At The First Touch of Winter, Summer Fades Away
Lisa from 'The Decameron' by Giovanni Boccaccio
Portrait of a lady, bust-length, wearing a red dress and hat
Portrait of a Woman with Dark Hair
Portrait of a Young Woman Seated, Bust
Portrait of a boy quarter-length in a brown waistcoat and white lace collar
Sir Francis Layland-Barratt (1860–1933)
St John the Evangelist teaching the New Commandment 'That ye love one another'
Study of a standing girl in eighteenth-century costume, seen from behind
Study of a standing girl in eighteenth-century costume
The Death of Siward, illustration
The handmaidens of Sivawara preparing the sacred bull at Tanjore for a festival
To Versailles, an Incident in the French Revolution
The Departure of Tristran and Isolde
Valentine Cameron Prinsep RA (Calcutta 14 February 1838 – 11 November 1904 London) was a British painter of the Pre-Raphaelite school. He is often known as Val Prinsep.
Portrait of Valentine Prinsep by Alphonse Legros
Early life
Born in Calcutta, India, his parents were Henry Thoby Prinsep, for sixteen years a member of the Council of India, and Sarah Monckton Pattle, sister of pioneering photographer Julia Margaret Cameron (née Pattle) and Maria Jackson (née Pattle), grandmother of Virginia Woolf and Vanessa Bell. Henry and Sarah had settled at Little Holland House and made it a centre of artistic society.
Career
The Queen was in the Parlour (1860; Manchester Art Gallery).
Portrait of Prinsep by Alphonse Legros, British Museum
Prinsep was an intimate friend of G. F. Watts, under whom his son first studied. He went out with Watts in 1856–57 to watch Sir Charles Newton's excavation of Halicarnassus. After studying under Watts he proceeded to Marc-Charles-Gabriel Gleyre's atelier in Paris. There Whistler, Poynter, and du Maurier were among his fellow students, and he sat unconsciously as a model for Taffy in du Maurier's novel Trilby. From Paris, Prinsep passed to Italy. With Burne-Jones he visited Siena and there he made the acquaintance of Robert Browning, of whom he saw much in Rome during the winter of 1859–60.[1]
He was an intimate friend of John Everett Millais and of Edward Burne-Jones, with whom he travelled in Italy. He had a share with Rossetti and others in the decoration of the hall of the Oxford Union. With other members of the Pre-Raphaelite Brotherhood, he taught at the Working Men's College during the mid-19th century.[2]
Prinsep first exhibited at the Royal Academy of Arts in 1862 with his Bianca Capella, his first picture, which attracted marked notice, being a portrait (1866) of General Gordon in Chinese costume. Prinsep lent the costume to Millais who used it in his own painting Esther. From that time to his death Prinsep was an annual exhibitor. Prinsep's chief paintings were Miriam watching the infant Moses (exhibited at the Royal Academy in 1867), A Venetian lover (1868), Bacchus and Ariadne (1869), News from abroad (1871), The linen gatherers (1876), The gleaners, and A minuet.[1]
In 1877, he went to India and painted a huge picture of the Delhi Durbar, exhibited in 1880 at the Royal Academy, presented to Queen Victoria and afterwards hung at Buckingham Palace. This "colossal work" attracted much favourable press criticism.[3]
The best of his later exhibits were À Versailles, The Emperor Theophilus chooses his Wife, The Broken Idol and The Goose Girl. He was elected A.R.A. in 1879 and R.A. in 1894.[1]
Later life
Gravestone, Brompton Cemetery, London
My Lady Betty, c. 1864
Prinsep died at Holland Park, west London in 1904, and is buried in Brompton Cemetery, London.[4]
He is buried with hise wife Florence.
The highly distinctive Roman style monument lies on the western path between the north entrance and the central buildings.
Family
He married in 1884 Florence, daughter of Frederick Richards Leyland of Wootten Hall, Liverpool. She survived him with three sons.[1]
Writings
Prinsep wrote two plays, Cousin Dick and Monsieur le Duc, produced at the Court and the St James's theatres respectively; two novels; and Imperial India: an Artist's Journal (1879).
He was an enthusiastic volunteer, and one of the founders of the Artists Rifles.
References
Gibson 1912.
J. F. C. Harrison ,A History of the Working Men's College (1854–1954), Routledge Kegan Paul, 1954
'Royal Academy Exhibition (First Notice)', The Times, 3 May 1880, p. 9.
http://www.brompton.org/Residents.htm
Attribution
This article incorporates text from a publication now in the public domain: Gibson, Frank W. (1912). "Prinsep, Valentine Cameron". In Lee, Sidney. Dictionary of National Biography, 1912 supplement. London: Smith, Elder & Co.
Sources
Chisholm, Hugh, ed. (1911). "Prinsep, Valentine Cameron". Encyclopædia Britannica (11th ed.). Cambridge University Press.
Public Domain This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "article name needed". Encyclopædia Britannica (11th ed.). Cambridge University Press.
External links
Val Prinsep, R.A., Dead, The New York Times, 13 November 1904
Artcyclopedia links to paintings
Valentine Cameron Prinsep 'At The First Touch Of Winter, Summer Fades Away' is in the collection at Gallery Oldham, Greater Manchester
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