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Sisto Badalocchio

Paintings

 Painting - Christ Carried To The Tomb 2 by Sisto Badalocchio

Christ Carried To The Tomb

 Painting - Madonna With The Child by Sisto Badalocchio

Madonna With The Child

Christ carried to the Tomb

The Dead Christ

The Entombment of Christ

The Holy Family

Mars and Venus

Susanna and the Elders

 Drawing - Venus In The Forge Of Vulcan by Sisto Badalocchio

Venus In The Forge Of Vulcan

Circle of Sisto Badalocchio

 Painting - The Christ Child With An Imperial Orb by Circle of Sisto Badalocchio

The Christ Child With An Imperial Orb

 Painting - The Young Saint John The Baptist With A Lamb by Circle of Sisto Badalocchio

The Young Saint John The Baptist With A Lamb

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Featured Art - Christ carried to the Tomb by Sisto Badalocchio

Christ carried to...

Sisto Badalocchio

Sisto Badalocchio Rosa (28 June 1585 - c. 1647) was an Italian painter and engraver of the Bolognese School.

Born in Parma, he worked first under Agostino Carracci in Bologna, then Annibale Carracci, in Rome. He worked with Annibale till 1609, then moving back to Parma. His best known work as an engraver was the Raphael's Bible series, which he created together with his fellow student, Giovanni Lanfranco. The images depict a series of frescoes by Raphael's workshop in the Vatican loggia. As a painter, his most important work is the frescoes the church of San Giovanni Evangelista, Reggio Emilia, which are based on Caravaggio's earliers works. He executed the decoration of the cupula and pendentives of the church of San Giovanni Evangelista in Reggio.

Though he often cooperated in fresco painting with Lanfranco, for example in Annibale designed series the San Diego Chapel in San Giacomo degli Spagnoli (1602–1607) and in Palazzo Costaguti (Nessus and Deianeira), Badalocchio never received the same recognition as his peer. Nevertheless, he is recognized today as an important figure in bring the artistic styles of the Italian Baroque to northern Italy.

References

[1]Some authorities give his death year as 1619, others as "after 1620"

Francis P. Smyth and John P. O'Neill, ed. (1986). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Washington DC: National Gallery of Art. pp. 373–378.
Wittkower, Rudolf (1993). Art and Architecture Italy, 1600-1750. 1980. Penguin Books. pp. 78, 80, 82–83.

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