Richard Samuel Chattock (1825 - 1906) was printmaker, painter and etcher born in Solihull (then in Warwickshire, now in the West Midlands), England. His father was a solicitor and after studying at Rugby School he too entered the legal profession. However, in the late 1950s he began following his interest in art, exhibiting his work in the Royal Birmingham Society of Artists.[1] From 1869 to 1891, he exhibited in the Royal Academy of Arts.[2]
Chattock often painted rural scenes and architectural subjects. In 1872, he completed his most famous works, sixteen etchings that depict the industrial landscape of the Black Country considered an unusual choice for artists.[3] For each etching, Chattock gave a description of what is being portrayed, and often how the objects in the etchings were used in the industry.[4] While these descriptions tell of the "intense desolation" [4] of the Black Country, due to an industry that "ransacked [its] depths",[4] Chattock is often focused on what he calls "single picturesqueness, if not beauty".[4]
In 1876 and 1881 he became a member of the RBSA and Royal Society of Painter-Printmakers respectively and he published a manual for other artists entitled Practical Notes on Etchings in 1883.[3]
References
Wildman, Stephen (1990). The Birmingham School (Exhibition Catalogue). Birmingham: Birmingham Museum and Art Gallery.
Peters, Greg; Peters, Connie. "Richard Samuel Chattock". Art of the Print. Retrieved 1 March 2015.
Flynn, Brendan (2014). RBSA A Place for Art The Story of the Royal Birmingham Society of Artists. Birmingham: Royal Birmingham Society of Artists. p. 84. ISBN 978-0-9930294-0-0.
Richard S. Chattock (1887). "The Black Country, Sixteen etchings illustrative of the coal and iron district South Staffordshire, with descriptive letterpress to each plate". Exhibition of Engineers. Birmingham: Royal Birmingham Society of Artists.
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