Paul-Jacques-Aimé Baudry
Paintings
The Pearl and the Wave
Zenobia Discovered by Shepherds on the Banks of the Araxes
Portrait of Fortune de Verges
Venus and Cupid
The dream
Madeleine Brohan (1833-1900), de la Comédie-Française
Portrait of A. P. A. Chikhachev
Madame Louis Singer, née Thérèse Stern (1859-1935)
Young St. John the Baptist
The Wrestler Meissonnier says the Rempart of Avignon
Jacob Wrestling with the Angel
Fine Art Prints | Greeting Cards | Phone Cases | Lifestyle | Face Masks | Men's , Women' Apparel | Home Decor | jigsaw puzzles | Notebooks | Tapestries | ...
The Pearl and the Wave
Paul-Jacques-Aimé Baudry (7 November 1828 – 17 January 1886) was a French painter.
Life
Baudry was born in 1828 in La Roche-sur-Yon in the Vendée. He studied art under Michel Martin Drolling and won the Prix de Rome in 1850 for his picture of Zenobia found on the banks of the Araxes.[1]
Paul-Jacques-Aimé Baudry
His talent from the first revealed itself as strictly academical, full of elegance and grace, but somewhat lacking originality. In the course of his residence in Italy Baudry derived strong inspiration from Italian art with the mannerism of Correggio, as was very evident in the two works he exhibited in the Salon of 1857, which were purchased for the Luxembourg: The Martyrdom of a Vestal Virgin and The Child.[1] His Leda, St John the Baptist, and a Portrait of Beul, exhibited at the same time, took a first prize that year. Throughout this early period Baudry commonly selected mythological or fanciful subjects, one of the most noteworthy being The Pearl and the Wave (1862). Once only did he attempt an historical picture, Charlotte Corday after the murder of Marat (1861); and returned by preference to the former class of subjects or to painting portraits of illustrious men of his day: Guizot, Charles Garnier, Edmond About.[1]
Charlotte Corday (1860). Under the Second Empire, Marat was seen as a revolutionary monster and Corday as a heroine of France, as indicated by her location in front of the map.
The works that crowned Baudry's reputation were his mural decorations, which show much imagination and a high artistic gift for color, as may be seen. in the frescoes in the Paris Court of Cassation. at the château of Chantilly, and some private residences the Hôtel Fould and Hôtel Paivabut, above all, in the decorations of the foyer of the Opera Garnier. These, more than thirty paintings in all, and among them compositions figurative of dancing and music, occupied the painter for ten years. Baudry was a member of the Académie des beaux-arts, succeeding Jean-Victor Schnetz.
Baudry died in Paris in 1886. Two of his colleagues, Paul Dubois and Marius Jean Mercié, co-operating with his brother, Baudry the architect, erected his funeral monument in the Père Lachaise Cemetery in Paris (1890).[1]
Paul Baudry’s grave at the Père Lachaise Cemetery in Paris, 2005
The statue of Baudry at La Roche-sur-Yon (1897) is by Jean-Léon Gérôme.
Gallery
Euterpe (détail) at the Grand foyer of the Opera Palais.
The wave and the pearl, c. 1862.
Zenobia Found.
See also
List of works by Paul Dubois (sculptor)
List of works by Antonin Mercié
References and sources
References
Chisholm 1911.
Sources
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Baudry, Paul Jacques Aimé". Encyclopædia Britannica (11th ed.). Cambridge University Press.
H. Delaborde, Notice sur la vie et les ouvrages de Baudry (1886); Ch. Ephrussi, Baudry, sa vie et son oevre (1887). (H. FR.)
----
Fine Art Prints | Greeting Cards | Phone Cases | Lifestyle | Face Masks | Men's , Women' Apparel | Home Decor ...
----
Artist
A - B - C - D - E - F - G - H - I - J - K - L - M -
N - O - P - Q - R - S - T - U - V - W - X - Y - Z
Retrieved from "http://en.wikipedia.org/"
All text is available under the terms of the GNU Free Documentation License
