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Nicolas-Antoine Taunay

 Painting - Landscape With An Aqueduct by Nicolas-Antoine Taunay

Landscape With An Aqueduct

 Painting - Parade With Pierrot Scapin And Arlequin by Nicolas-Antoine Taunay

Parade With Pierrot Scapin And Arlequin

 Painting - An Open-air Auction In A Town Square by Nicolas-Antoine Taunay

An Open-air Auction In A Town Square

 Painting - A Landscape With Ruth And Boaz On A Path In The Foreground by Nicolas-Antoine Taunay

A Landscape With Ruth And Boaz On A Path In The Foreground

Preaching of Saint John the Baptist

Dona Carlota Joaquina, wife of King Dom João VI of Portugal, Brazil and Algarves

Country Landscape

Portrait of the Marquise of Belas

Heroism of the sailors of the ship of the line Vengeur under captain Renaudin

Landscape with an Aqueduct

Landscape with an Aqueduct

Portrait of Infanta Maria da Assunção of Portugal (1805-1834)

Portrait of Maria Teresa of Portugal , wife of Carlos de Borbón, pretender to the Spanish throne.

Mountain Landscape

 Small Cascade in Tijuca

Landscape with a bridge

 Landscape in the Roman Campagna

View of Rio de Janeiro bay from the mountains in Tijuca

View of Beach and Knoll of Glory Church in Rio de Janeiro

Santo Antônio Hill, Rio de Janeiro

Death of Francesco Francia, in front of the "Saint Cecilia" of Raffaello Sanzio

Le bivouac des sans-coulottes

Portrait of Félix-Émile Taunay

St. John the Evangelist

Saint John the Evangelist

Saint Luke the Evangelist

Saint Mark the Evangelist

Saint Matthew the Evangelist

Troopers checking a horse

View from Morro da Glória

View from the Outeiro, the beach and the Church of Glória

Carioca Square, Rio de Janeiro

Moses Rescued from the Water

 Portrait of Dom António, Prince of Beira (1795-1801)

Parade with Pierrot, Scapin and Arlequin

Portrait of Gerard van Spaendonck

Shepherds at rest 

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The Billiard Room Print by Nicolas-Antoine Taunay

The Billiard Room

Nicolas-Antoine Taunay


Nicolas-Antoine Taunay (10 February 1755 – 20 March 1830) was a French painter.
 

Early years

Nicolas Antoine Taunay was born in Paris, France, in 1755. His father was an enamel painter.

Taunay entered the École des Beaux-Arts in Paris at the age of fifteen and became a pupil of Nicolas-Bernard Lepicié (1735-1784). He later studied in the studios of Nicolas-Guy Brenet (1728-1792) and Francesco Giuseppe Casanova (c. 1732-1803).[1] He specialized in painting landscapes. Taunay first exhibited his work at the Jeunesse and Salon de la Correspondance. In 1784 he was admitted as an assistant at the Royal Academy of Painting and Sculpture. He was now able to exhibit at official shows.[2] Taunay obtained a three-year scholarship to study at the French Academy in Rome in the Palazzo Mancini. While in Italy he met the artist Jacques-Louis David (1748 - 1825).

After returning to France in 1787 Taunay exhibited in the Paris Salon.[2] He married Josephine Rondel (1768-1844) soon after his return. They had six children, one of them being the also painter Félix Taunay, the father of French-Brazilian author Alfredo d'Escragnolle Taunay. He lived with his family in Montmorency, Val-d'Oise, during the Reign of Terror (1793-1794).[1] He returned to Paris in 1796 and joined the newly formed Institut de France. In 1805 he painted scenes of Napoleon's campaigns in Germany.[2] In 1806 he started contributing work to the Manufacture de Sévres. The Empress Josephine commissioned many paintings of battle scenes from him.[1]
Brazil
Portrait of the Marchioness of Belas (1816)

After the fall of Napoleon Taunay moved to Brazil as a member of the Missão Artística Francesa (French Artistic Mission), funded by King John VI of Portugal.[2] The Missão Artística Francesa was organized by Joachim Lebreton. He had brought a group of artists to Brazil, arriving in Rio de Janeiro on 25 March 1816. These included the painter Jean-Baptiste Debret (1768–1848), Nicolas's brother the sculptor Auguste Marie Taunay (1768–1824), the engraver Charles-Simon Pradier (1786–1847) and the architect Auguste-Henri-Victor Grandjean de Montigny (1776–1850). They were to form the nucleus of a royal art academy in Brazil.[3]

Nicolas-Antoine Taunay became a member of the Royal School of Sciences, Arts and Trades, later to become the Imperial Academy of Beaux-Arts, as professor of landscape painting.[2]

The arrival of the French group caused some controversy among the local Portuguese intelligentsia, who were concerned at the excessive influence being given to the French in developing the cultural life of Brazil. In turn, the French were unhappy with political appointments such as the appointment of Henrique José da Silva as head of the school in place of Lebreton, who had died in 1819. For this reason, Nicolas-Antoine Taunay returned to France in 1821.[4]

Nicolas-Antoine Taunay died in 1830. During his lifetime he was considered one of the greatest of the painters of the First French Empire. After his death he was soon forgotten, although his work went through a revival in popularity in the 1870s organized by the Goncourt brothers.[5]
Works

Although his main interest was historical landscape painting, Nicolas-Antoine Taunay was also a skilled painter of portraits and battle scenes. His style reflects Dutch and classical French influences.[1]

References

Citations

Fahy 2005, p. 289.
Taunay, Nicolas Antoine: Itaú.
Williams 2001, p. 267.
Sadlier 2010, p. 112.

    Lebrun & Taunay 2003, p. 5.

     
Sources

    Fahy, Everett (2005-01-01). "Nicolas-Antoine Taunay". The Wrightsman Pictures. Metropolitan Museum of Art. ISBN 978-1-58839-144-5. Retrieved 2014-02-17.
    Lebrun, Claudine; Taunay, Nicolas Antoine (2003). Nicolas-Antoine Taunay (1755-1830). ARTHENA, Association pour la diffusion de l'histoire de l'art. ISBN 978-2-903239-36-7. Retrieved 2014-02-17.
    Sadlier, Darlene J. (2010-01-01). Brazil Imagined: 1500 to the Present. University of Texas Press. ISBN 978-0-292-77473-5. Retrieved 2014-02-15.
    "Taunay, Nicolas Antoine (1755 - 1830)". Encyclopédie Itaú Cultural arts visuels. 8 October 2013. Retrieved 2014-02-17.
    Williams, Daryle (2001-07-12). Culture Wars in Brazil: The First Vargas Regime, 1930–1945. Duke University Press. ISBN 0-8223-2719-8. Retrieved 2014-02-15.

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