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Lorenzo Garbieri

 Painting - Saint Anthony Abbot Burying Saint Paul The Hermit by Lorenzo Garbieri

Saint Anthony Abbot Burying Saint Paul The Hermit

Dead Christ

Madonna with the Child, Saint Cecily and Saint Albert

Circe

Madonna with child adored by Santa Felicita and children

God the Father Blessing attributed to Lorenzo Garbieri

Lorenzo Garbieri (1580 – 5 April 1654) was an Italian painter of the early-Baroque period, active mainly in Bologna. He was one of the painters in the studio of Ludovico Carracci and is sometimes called il nipote dei Carracci. He was said to be one of the most successful imitators of Ludovico, to whose style he added the character of Caravaggio.[1]

He painted the Plague of Milan in the chapel of San Carlo at the church of the Barnabites. He painted St Paul resuscitating a youth for the church of the Congregation of the Oratory of Saint Philip Neri in Fano. He painted the Martyrdom of St Felicita and her seven sons for San Maurizio in Mantua.

He painted five canvases (1613) for the chapel of the Annunciation in the church of San Bartolomeo, Modena, including Birth of the Virgin, Annunciation.[2] He had also paintings made for Milan and Reggio-Emilia.

Rejecting an offer to become court painter at Mantua, he returned to Bologna to take a bride with a rich dowry, after which his career declined. His son and pupil, Carlo Garbieri, was a history painter.[1]

References

Lanzi, Luigi Antonio (1847). The History of Painting in Italy: The schools of Bologna, Ferrara, Genoa, and Piedmont, with the indexes. H. G. Bohn. pp. 120–121.

Campori, Giuseppe (1855). Gli artisti italiani e stranieri negli stati estensi catalogo storico corredato di documenti inediti per G. Campori. tip. della R. D. Camera. pp. 227–228.

Bibliography
Farquhar, Maria (1855). Ralph Nicholson Wornum, ed. Biographical catalogue of the principal Italian painters. Woodfall & Kinder, Angel Court, Skinner Street, London; Digitized by Googlebooks from Oxford University copy on 27 June 2006. p. 69.
Marchese Antonio Bolognini Amorini (1843). Vite de Pittori ed Artifici Bolognesi. Tipografia Governativa alla Volpe, Bologna. pp. 119–126.

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