Joseph Heintz the Elder
Paintings
Venetian scene with figures on the Riva at Ascension Day
Portrait of Rudolf II
Diana and Actaeon
Diana and Callisto
Adonis Parting from Venus
Mystical Marriage of Saint Catherine.
Portrait of Archduchess Constance of Austria
Portrait of Margaret of Austria, Queen of Spain
Drawings
The Toilet of Venus
The Fall of Phaeton
The Daughters of the Po with River Gods
The Resurrection of Christ
Satyrs and Nymphs
Madonna and Child with Mary Magdalen
Portrait of Giovanni da Bologna
The Fall Of Phaeton
The Resurrection Of Christ
The Daughters Of The Po With River Gods
The Toilet Of Venus
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Diana and Actaeon
Joseph Heintz (or Heinz) the Elder (11 June 1564 – October 1609) was a Swiss painter, draftsman and architect.
Biography
Heintz was born in Basle. He appears to have been a pupil of Hans Bock, and to have educated himself by diligent practice in copying the works of Hans Holbein the younger. Between 1585 and 1587 he lived in Rome, registering himself a pupil; to Hans von Aachen. He next settled in Bohemia in 1591, and was at once appointed court painter to Rudolf II, but he remained in Prague for two years only, as in 1593 he was commissioned to make some copies from the antique for the emperor, and for that purpose went to Rome, where he spent some years. In 1604 we hear of him in Augsburg, and from the time we know little of his history, until his decease is recorded in a village near Prague.
Heintz's paintings included religious images, portraits, and, following the emperor's taste, erotic mythological themes. They were at one time in high demand, but later on suffered an eclipse. Among them are a family portrait in Berne and that of Rudolf II in Vienna. He was constantly investigating subtle questions of light, and almost all of his landscapes show the interest he took in this technical matter. A notable work by him is the Rape of Proserpine, which hangs in the Dresden Gallery, and was engraved by Lukas Kilian; in the same gallery are two other works, Lot and His Daughters and Ecce Homo. Finally there is his portrait of Constance of Austria. He had a son, who bore the same name, and who painted a few religious pictures; several of these works hitherto attributed to the son are now believed to be late productions by the father.
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