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Jacopo da Empoli, Jacopo Chimenti


Jacopo Da Empoli Painting - Still Life by Jacopo da Empoli

Still Life

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Maria de Medici's marriage

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Sacrifice of Isaac


 Drawing - A Man Standing To Right by Jacopo da Empoli

A Man Standing To Right

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Looking up nun in half figure

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The Doubting Thomas

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Madonna and Saints

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Kneeling woman

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Head of a youth

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Peter gets the key

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Study on the prophetess Hanna

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Study of St. Borromeo

Jacopo da Empoli (30 April 1551 – 30 September 1640) was an Italian Florentine Reformist painter.

Born in Florence as Jacopo Chimenti (Empoli being the birthplace of his father), he worked mostly in his native city. He apprenticed under Maso da San Friano. Like his contemporary in Counter-Maniera (Counter-Mannerism), Santi di Tito, he moved into a style often more crisp, less contorted, and less crowded than mannerist predecessors like Vasari. He collaborated with Alessandro Tiarini in some projects. Among his pupils were Felice Ficherelli, Giovanni Battista Brazzè (Il Bigio), Giovanni Battista Vanni, and Virgilio Zaballi.

Finally, working in a thematic often shunned by Florentine painters, after the 1620s he completed a series of exceptional still-life paintings .

Selected works

Madonna in Glory with Saint Luke and Saint Ives (1579) - Louvre, Paris
Sacrifice of Isaac[3] (1590s) - Oil on copper, 32 x 25 cm, Uffizi, Florence
Susanna and the Elders (1600) - Kunsthistorisches Museum, Vienna
Sant'Eligio (1614) - Uffizi, Florence
Carlo Borromeo and the Rospigliosi Family (1613) - Church of San Domenico, Pistoia
Still Life with Games (1620s) - Oil on canvas, 114 x 152 cm, Private collection
Judgement of Midas (1624) - Pistoia
Saint Ives, Protector of Widows and Orphans - Palatine Gallery, Florence
Adoration of Shepherds (attributed)[4]
Preaching of John the Baptist - San Niccolò Oltrarno, Florence.
Michelangelo presents his model of San Lorenzo to Leo X (1617–19) - Casa Buonarroti, Florence
The Wedding of Caterina de Medici to Henry II
Drunkedness of Noah - Uffizi Gallery, Florence
Saint Clair accepts the veil (vows) [5] (1620) - Caen, France
Final Judgement [6]
Pala della Concezione - San Bartolomeo [7]


Freedberg, Sydney J. (1993). "Painting in Italy, 1500-1600". Pelican History of Art. Penguin Books. pp. 630–632.
Hobbes, James R. (1849). Picture collector's manual adapted to the professional man, and the amateur. T&W Boone, 29 Bond Street; Digitized by Googlebooks.

Ticozzi, Stefano (1830). Dizionario degli architetti, scultori, pittori, intagliatori in rame ed in pietra, coniatori di medaglie, musaicisti, niellatori, intarsiatori d’ogni etá e d’ogni nazione' (Volume 1). Gaetano Schiepatti; Digitized by Googlebooks, Jan 24, 2007. p. 214.
Hobbes J.R. p. 81


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