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Henry Mosler

At the wedding morning Print by Henry Mosler

At the wedding morning

Children under a Red Umbrella Print by Henry Mosler

Children under a Red Umbrella

House in La Cambe, Normandy Print by Henry Mosler

House in La Cambe, Normandy

Elizabeth Moerlein Print by Henry Mosler

Elizabeth Moerlein

George B. Cox Print by Henry Mosler

George B. Cox

The Husking Bee Print by Henry Mosler

The Husking Bee

Just Moved Print by Henry Mosler

Just Moved

Henry Mosler (June 6, 1841 - April 21, 1920), was a professional painter, wood engraver, sketch artist and illustrator who documented American life, including colonial themes, Civil War illustrations, and portraits of men and women of society.[1]

Early personal life

He was born in Tropplowitz, Silesia (now in Poland, on the Czech border) and moved with his family to New York in 1849, when he was 8 years old. His father, Gustavus Mosler, had worked as a lithographer in Europe, but in New York he found work as a cigar maker and tobacconist. In 1851, the family relocated to Cincinnati, Ohio, the site of a substantial German-Jewish community. Henry was apprenticed to a wood engraver, Horace C. Grosvenor, while still in his early teens, and also was taught the basics of painting by an amateur landscape painter, George Kerr.[2]


Artistic career

After studying drawing by himself, Mosler became a draughtsman for a comic paper, the Omnibus (Cincinnati), in 1855. From 1859-1861 he studied under James Henry Beard, and in 1862-63, during the American Civil War, served as an art correspondent of Harper's Weekly.

As with most Jews in the North, Mosler was a strong Union supporter, and Harper's Weekly served as an important voice for the Union forces. He was an aide-de-camp with the army of Ohio from 1861-1863, and published 34 drawings in Harper's, 18 of them depicting the Kentucky and Ohio Campaign in 1862.[3] He also did portraits of several generals.[4]

In 1863 Mosler went to Düsseldorf, where for almost three years he was at the Royal Academy, and studied under Heinrich Mücke and Albert Kindler; he subsequently went to Paris, where he studied for six months under Ernest Hébert.[4]

He returned to Cincinnati in 1866, where received numerous portrait commissions.[2] He also created the first painting for which he received a significant degree of recognition, "The Lost Cause," which he exhibited at the National Academy of Design in 1868.[2] This was soon followed by the group "Betsy Ross Making the First American Flag."[5]

In 1874, Mosler returned to France, having married Sara Cahn of Cincinnati in 1869.[2] He studied for three years under Carl Theodor von Piloty in Munich, where he won a medal at the Royal Academy.[4] In 1877, he moved to France. While living in Brittany, he painted "The Quadroon Girl" and "Early Cares," both of which were accepted by the Salon of 1879.[5]

His "Le Retour," from the Paris Salon of 1879, was the first American painting ever bought for the Luxembourg Palace. He received a silver medal at the Salons in Paris 1889, and gold medals at Paris, 1888, and Vienna, 1893.

In 1894 he moved his family to New York, opening a studio in Carnegie Hall. He served as an associate in the National Academy of Design, and continued painting well into the 20th century.[2] He died of heart failure at the age of 78.[5]

Examples of his work are in currently in the collections of the Allentown Art Museum, the Wichita Art Museum, the Smithsonian American Art Museum, the Huntington Library, the Museum of Fine Arts, Boston, the Morris Museum of Art in Augusta, the Sydney Art Museum, NSW, the Cincinnati Art Museum, the Richmond Art Museum, the art museums of Springfield, Massachusetts, and various museums in New York.
Legacy

His son, Gustave Henry Mosler was also an artist. His granddaughter, Audrey Skirball-Kenis (née Marx) was a philanthropist in Los Angeles, and founder of the Skirball Cultural Center. His great-grandson, John F. McCrindle, was an art collector and patron of artists and writers, founding the Joseph F. McCrindle Foundation to award grants to arts, music, and social justice organizations.[6][7]
Notes

Barbara C. Gilbert; Henry Mosler (1995). Henry Mosler rediscovered: a nineteenth-century American-Jewish artist. Skirball Museum / Skirball Cultural Center. Retrieved 13 September 2012.
Mary Sayre Haverstock; Jeannette Mahoney Vance; Brian L. Meggitt; Jeffrey Weidman, Oberlin College. Library (1 April 2000). Artists in Ohio, 1787-1900: A Biographical Dictionary. Kent State University Press. pp. 618–. ISBN 978-0-87338-616-6. Retrieved 13 September 2012. Cite uses deprecated parameter |coauthors= (help)
Litts, Doug. "May is Jewish American Heritage Month - Henry Mosler". Smithsonian Institution Libraries Blog. Smithsonian Institution. Retrieved 13 September 2012.
Wilson, James Grant; Fiske, John, eds. (1900). "Mosler, Henry". Appletons' Cyclopædia of American Biography. New York: D. Appleton.
"Henry Mosler Dies; Famous Painter". The New York Times. April 22, 1920. Retrieved 13 September 2012.
Grimes, William (July 18, 2008). "Joseph McCrindle, 85, Connoisseur of Art, Is Dead". New York Times. Retrieved 13 November 2012.

"Summary of the Henry Mosler papers, 1856-1929". Archives of American Art, Smithsonian Institution. Retrieved 13 November 2012.

References

This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Mosler, Henry". Encyclopædia Britannica (11th ed.). Cambridge University Press.

External links

Works by or about Henry Mosler at Internet Archive
"Mosler, Henry". Encyclopedia Americana. 1920.
Henry Mosler papers online, Archives of American Art, Smithsonian Institution
Henry Mosler's Civil War Diary digital exhibition

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