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Giuseppe De Nittis

Paintings

L'Arc de Triomphe, Paris Print by Giuseppe De Nittis

L'Arc de Triomphe, Paris

Winter Landscape Print by Giuseppe De Nittis

Winter Landscape

View of Vesuvius Print by Giuseppe De Nittis

View of Vesuvius

A Lady from Naples Print by Giuseppe De Nittis

A Lady from Naples

Small Pond Print by Giuseppe De Nittis

Small Pond

Giuseppe De Nittis

The Victoria Embankment, London

Giuseppe De Nittis

Breakfast in the Garden

Giuseppe De Nittis

The Races at Longchamps from the Grandstand

Giuseppe De Nittis

The Place des Pyramides in Paris

Giuseppe De Nittis

The Amazon

Giuseppe De Nittis

Japanese Ladies Admiring a Screen

Giuseppe De Nittis

Bow Window

Giuseppe De Nittis

Girl on the beach

Giuseppe De Nittis

Amazzoni

Giuseppe De Nittis

A Roman Aqueduct

Giuseppe De Nittis

Nude with red stockings

Giuseppe De Nittis

Promenade hivernale

Giuseppe De Nittis

Return From The Ball

Giuseppe De Nittis

Sarah Bernhardt as Pierrot 

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L'Arc de Triomphe, Paris Print by Giuseppe De Nittis

L'Arc de Triomphe, Paris

Giuseppe De Nittis (February 25, 1846 – August 21, 1884)[1] was an Italian painter whose work merges the styles of Salon art and Impressionism.

Biography

De Nittis was born in Barletta, where he first studied under Giovanni Battista Calò. After being expelled in 1863 from the Instituto di Belle Arti in Naples for insubordination, he launched his career with the exhibition of two paintings at the 1864 Neapolitan Promotrice. De Nittis came into contact with some of the artists known as the Macchiaioli, becoming friends with Telemaco Signorini, and exhibiting in Florence.

In 1867 he moved to Paris and entered into a contract with the art dealer Adolphe Goupil which called for him to produce saleable genre works. After gaining some visibility by exhibiting at the Salon he returned to Italy where, now free to paint from nature, he produced several views of Vesuvius.

In 1872 De Nittis returned to Paris and, no longer under contract to Goupil, achieved a success at the Salon with his painting Che freddo! (Freezing!) of 1874.[2] In that same year he was invited to exhibit at the first Impressionist exhibition, held at Nadar's. The invitation came from Edgar Degas, who was a friend of several Italian artists residing in Paris, including Telemaco Signorini, Giovanni Boldini and Federico Zandomeneghi. De Nittis was not accepted by all of the Impressionists, and did not participate in their subsequent exhibitions.[1]

A trip to London resulted in a number of Impressionistic paintings. In 1875 De Nittis took up pastels, which became an important medium for him in his remaining years and which he helped popularize.[1] Back in Paris, where his home was a favorite gathering place for Parisian writers and artists, as well as expatriate Italians, he executed pastel portraits of sitters including De Goncourt, Zola, Manet and Duranty.[2] He preferred pastels as the medium for his largest works, such as the triptych entitled Races at Auteuil (1881).[1]

De Nittis exhibited twelve paintings in The Exposition Universelle of 1878, and was awarded a gold medal.[1] In that same year he received the Légion d’honneur.

In 1884, at the age of 38, De Nittis died suddenly of a stroke at Saint-Germain-en-Laye.

Works by De Nittis are in many public collections, including the Musée d'Orsay in Paris, British Museum in London, and the Metropolitan Museum of Art in New York. His paintings Return from the Races and The Connoisseurs are in the Philadelphia Museum of Art.


Notes

Efrem Gisella Calingaert. "De Nittis, Giuseppe." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 9 Aug. 2013.<http://www.oxfordartonline.com/subscriber/article/grove/art/T022153>

Steingräber & Matteucci 1984, p. 111


References

Broude, Norma (1987). The Macchiaioli: Italian Painters of the Nineteenth Century. New Haven and London: Yale University Press. ISBN 0-300-03547-0
Steingräber, Erich; Matteucci, Giuliano (1984). The Macchiaioli: tuscan painters of the sunlight. New York: Stair Sainty Matthiesen Gallery.

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