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Giovanni Antonio Burrini

Andromeda chained to the rocks Print by Giovanni Antonio Burrini

Andromeda chained to the rocks

A caricature of a seated prelate conversing with another man Print by Giovanni Antonio Burrini

A caricature of a seated prelate conversing with another man

Study of Heads Print by Giovanni Antonio Burrini

Study of Heads

Landscape with Figures near a Tomb Print by Giovanni Antonio Burrini

Landscape with Figures near a Tomb

The Descent from the Cross Print by Giovanni Antonio Burrini

The Descent from the Cross

Giovanni Antonio Burrini or Gian Antonio Burrini (25 April 1656 – 5 January 1727) was a Bolognese painter of Late-Baroque or Rococo style. After an apprenticeship with Domenico Maria Canuti, he went to work under Lorenzo Pasinelli with fellow student, Giovanni Gioseffo dal Sole. He became an early friend and often close collaborator with Giuseppe Maria Crespi, with whom he shared a studio. He became a rival and competitor with Sebastiano Ricci. He painted in Turin for the Carignano family and Novellara.[1] In 1709, he was one of the founding members of the Accademia Clementina in Bologna. His daughter Barbara Burrini was also a painter.

Burrinifoto


Partial anthology of works

Joseph Interpreting Dreams (Muzeum, Warsaw)
Samson and Delilah
Martyrdom of Saint Victoria
Fresco Cycle (Villa Albergata, Zola Predosa)
Martyrdom Of Saint Euphemia (1686, Chiesa Saint Euphemia, Ravenna)
Frescoes (Palazzo Ruini, Bologna)
Frescoes (San Giovanni Battista dei Celestini, Bologna)
Susannah and the Elders (Pinacoteca, Bologna)
Sacrifice of Isaac (Louvre, Paris)
Orpheus and Eurydice (1697)
Frescoes (1695, San Bartolomeo, Bologna)
Martyrdom Of Saint Catherine (Santa Caterina di Saragozza, Bologna)
Immaculate Virgin with Saints Petronius & Dionysius the Areopagite (1684, Chiesa Parrocchiale, Monghidoro)[1]
Adoration of the Magi (Fogg Art Museum, Cambridge, Massachusetts)
Bacchus and Ariadne (Private Collection)
Herminia and the Shepherds (Pinacoteca, Bologna)[2]
Infant Jesus, Saint Joseph, and three saints (Louvre) [3]

References

Francis P. Smyth and John P. O'Neill (Editors in Chief) (1986). National Gallery of Art, Washington DC, ed. The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. pp. 385–391.
Grove Art encyclopedia abstract

Lanzi, Luigi (1847). Thomas Roscoe (translator), ed. History of Painting in Italy; From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century. III. Henry G. Bohn, Covent Garden, London; Original from Oxford University Digitized Jan 31, 2007. p. 147.

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