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Eishosai Choki

Woman and Child Catching Fireflies Print by Eishosai Choki

Woman and Child Catching Fireflies

The Courtesan Kisegawa of Matsubaya Print by Eishosai Choki

The Courtesan Kise

The New Year Niwaka Festival in the Pleasure Quarters Print by Eishosai Choki

The New Year Niwaka Festival in the Pleasure Quarters

Courtesan with smoking equipment Print by Eishosai Choki

Courtesan with smoking equipment

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The love couple Ochiyo and Habei

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The love couple Ochiyo and Habei

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The first love on the fair at the end of the year

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Kasima dance

Eishōsai Chōki (Japanese: 栄松斎 長喜), also known as Momokawa Chōki, was a designer of ukiyo-e style Japanese woodblock prints who was active from about 1786 to 1808. He, along with Utamaro, was a pupil of Toriyami Sekien (1712–1788). Chōki is best known for his pictures of beautiful slender women, often with atmospheric backgrounds.

The artist signed most of his works Chōki (長喜), he also signed some work Eishōsai (栄松斎) or Shikō (子興).

Life and career

The details of Chōki's life are obscure. He was likely a student—and possibly an adopted son—of Toriyama Sekien. Chōki specialized in depicting beautiful women and had a number of art names: works signed Chōki were in the style similar to that of Kiyonaga, and those signed Shikō that of Utamaro.[1]

Chōki lived in the home of publisher Tsutaya Jūzaburō, who published several of Chōki's print series. Amongst Chōki's more popular series were the Eight Views of Lake Ōmi (Ōmi hakkei) and the Eight Views of the Treasury of Loyal Retainers (Chūshingura hakkei). He also produced hashira-e pillar prints, kachō-e prints of birds and flowers, and book illustrations. His last known work is the illustrations for the book Nakoso Gate (Nakoso no seki) by Kanwatei Onitake in 1809.[1]

References

Marks 2012, p. 82.

Works cited

Marks, Andreas (2012). Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900. Tuttle Publishing. ISBN 978-1-4629-0599-7.

Further reading

Hiller, Jack, Choki: What is a Minor Artist?, In: The Japanese Print: A New Approach, Rutland, Tuttle, 1960, 94–101.
Lane, Richard. (1978). Images from the Floating World, The Japanese Print. Oxford: Oxford University Press. ISBN 9780192114471; OCLC 5246796
Newland, Amy Reigle. (2005). Hotei Encyclopedia of Japanese Woodblock Prints. Amsterdam: Hotei. ISBN 9789074822657; OCLC 61666175
Roberts, Laurance P. (1976). A Dictionary of Japanese Artists. New York: Weatherhill. ISBN 9780834801134; OCLC 2005932

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