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Carlo Labruzzi

 The Ruins of the Temple of Minerva Medica. Rome Print by Carlo Labruzzi

The Ruins of the Temple of Minerva Medica. Rome

The Ancient Tomb called La Conocchia on the Road to Caserta Print by Carlo Labruzzi

The Ancient Tomb called La Conocchia on the Road to Caserta

The Great Villa of the Quintilii on the Appian Way Print by Carlo Labruzzi

The Great Villa of the Quintilii on the Appian Way

The Villa Negroni. Rome Print by Carlo Labruzzi

The Villa Negroni. Rome

Carlo Labruzzi, born in Rome on November 6, 1748 and died in Perugia on December 8, 1817 (at age 69), was an Italian painter and engraver of the eighteenth and early nineteenth century.

Biography

Carlo Labruzzi spent his first years as a painter in Nuremberg, then in 1780 in Rome, where he was elected a member of the Pontifical Academy of Fine Arts and Letters of the Virtuosi at the Pantheon. In 1786 he became a member of the Accademia di San Luca.

He painted portraits, genre scenes and altarpieces, but was best known for his landscapes.

In the 1780s he was appreciated by the British travelers of the Model: Grand Tour in Rome. In 1789 Sir Richard Colt Hoare ordered drawings and watercolors and invited him to accompany him along the Via Appia, following the itinerary indicated by the Roman poet Horace in his description of a trip to Brindisi in Italy. 38 av. J.-C. Labruzzi was to draw drawings of the remains, ancient tombs and villas along their itinerary. The project was interrupted by the weather and health problems of Labruzzi, but 226 watercolors were made and connected in 5 volumes by Colt Hoare 1.

A second series of drawings, less complete, probably preparatory studies, was preserved by Labruzzi who had engraved them on 24 plates and published the prints 1.

In 1814 Labruzzi was appointed director of the Accademia di Belle Arti in Perugia, a position he held for three years until his death. He was replaced by Tommaso Minardi.[1] Among his pupils in Perugia are Silvestro Massari, Margherita Lazi,[2] and Marianna Candidi Dionigi.[3]

works

The Colosseum seen from the Palatine (1780), oil on canvas, 77 × 126 cm
Landscape of Arcadia
Aleksandra and Izabela Potocki at Lake Albano (1779-1780), oil on canvas, 69,5 × 86,5 cm
Portrait of Domenico de Angelis and bust of Bias de Priene (1787), oil on wood, 100 × 75 cm
Portrait posthumous of Giovanni Battista Piranesi (1779), oil on canvas, 74 × 72 cm
Portrait of Anna Antonina Krasińska (1808),
Portrait of Teresa Pickler (1805 and 1807),
Temple of Minerva, watercolor and black chalk on paper, 42,2 × 28,2 cm

Notes and references

↑ a, b, c and d "Carlo Labruzzi" [archive], on Answers.com

Attachments
Bibliography
(It) De Rosa, Pier Andrea - Jatta, Barbara, La Via Appia nei disegni di Carlo Labruzzi and Biblioteca Apostolica Vaticana, Collana Documenti e Riproduzioni, Number 13, 2013 (ISBN 978-88-210-0901-3)

*Rossi-Scotti, Conte Giovanni Battista (1874). Il professor Tommaso Minardi e l'Accademia di belle arti di Perugia: ricordi storici con nota delle opere dell'illustre Professore.. Tipografia de Vincenzo Bartelli, Perugia. p. 9.
*Lupattelli, Angelo (1895). Storia della pittura in Perugia e delle arti: ad essa affini dal Resorgimento sino ai Giorni Nostri. Reale Stab. F. Campitelli. p. 85.
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