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Carl Anton Joseph Rottmann

Paintings

Olympia Print by Carl Rottmann

Olympia

Nauplia Print by Carl Rottmann

Nauplia

A View of Aegina with the Remains of the Temple of Apollo Print by Carl Rottmann

A View of Aegina with the Remains of the Temple of Apollo

River Landscape with Castle Ruins Print by Carl Rottmann

River Landscape with Castle Ruins

The Battlefield at Marathon Print by Carl Rottmann

The Battlefield at Marathon

Taormina with Mount Etna Print by Carl Rottmann

Taormina with Mount Etna

The Cemetery at Pronoia near Nauplia Print by Carl Rottmann

The Cemetery at Pronoia near Nauplia

Carl Anton Joseph Rottmann

Delos

Carl Anton Joseph Rottmann

Inntal bei Neubeuern

Carl Anton Joseph Rottmann

Wertheim a. M.

Carl Anton Joseph Rottmann

Heidelberg Castle

Carl Anton Joseph Rottmann

Landscape on the island of Aegina

Carl Anton Joseph Rottmann

Marathon

Drawings

Epidauros Print by Carl Rottmann

Epidauros

Carl Anton Joseph Rottmann

Capri

Carl Anton Joseph Rottmann (January 11, 1797 in Handschuhsheim – July 7, 1850, Munich) was a German landscape painter and the most famous member of the Rottmann family of painters.

Rottmann belonged to the circle of artists around the Ludwig I of Bavaria, who commissioned large landscape paintings exclusively from him. He is best known for mythical and heroising landscapes. The landscape painter Karl Lindemann-Frommel belonged to his school.

Biography

Rottmann was born in Handschuhsheim (today a part of Heidelberg) on 11 January 1797. There he received his first drawing lessons from his father, Friedrich Rottmann, who taught drawing at the university in Heidelberg. He formed himself chiefly through the study of nature and of great masterworks. In his first artistic period, he painted atmospheric phenomena. After gaining prominence with Heidelberg at Sunset (a water color), and Castle Eltz, he settled in Munich in 1822 and devoted himself to Bavarian scenery. Here his second period began, and in 1824 he married Friedericke, the daughter of his uncle, Friedrich Ludwig von Sckell, who served as an attendant at court.

Through this connection, he made the acquaintance of King Ludwig I of Bavaria, who in 1826/27 sponsored his travels in Italy in order to widen his repertoire, which up to that point consisted solely of domestic, German, landscapes. In Italy, Rottmann made sketches for the 28 Italian landscapes in fresco which he was commissioned to paint in the arcades of the Hofgarten at Munich. The cycle, completed in 1833, gave visual expression to Ludwig’s alliance with Italy, and raised the genre of landscape painting to the height of history painting, the preferred mode of the King’s other great commissions for monumental painting. The frescos unfortunately deteriorated under climatic influences. The cartoons for them are in the Darmstadt Gallery.

In 1834 Rottmann traveled to Greece to prepare for a commission from Ludwig for a second cycle; one might mark here the beginning of his third period. At first also intended for the Hofgarten arcade, the 23 great landscapes were eventually installed in the newly built Neue Pinakothek where they were given their own hall.

Of his easel pictures, Ammer Lake and Marathon are in the National Gallery, Berlin; The Acropolis of Sikyon and Corfu in the Pinakothek, Munich; others in the Schack Gallery, Munich, and in Karlsruhe; and seven in the Leipzig Museum.

Carl Rottmann died on 7 July 1850 in Munich, aged 53 of undisclosed causes. He is buried in the Alter Südfriedhof in Munich.

Works

Frescoes with heroising landscapes in the arcade of the Munich Hofgarten (1830–33) (today in the Munich Residenz Museum).
23 Greek landscapes (1838–50, today in the Neue Pinakothek, although a number were substantially destroyed during World War II) in the ancient technique of encaustic.


References

"Rottmann, Karl". New International Encyclopedia. 1905. This work in turn cites:
Pecht, Deutsche Künstler, ii. (Nördlingen, 1879)
Regnet, in Dohme, Kunst und Künstler, iv. (Leipzig, 1885)

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