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Carl Ludwig Jessen


Paintings

Young Girl

Frisian Woman in a twofold depiction (Föhr)

Frisian Woman in a twofold depiction

The view out of the window

Two Frisian women from Föhr

Two Frisian Peasants

Frisian Hall with view

Old Woman at a Spinning Wheel ("A 90-year old, spinning")

Dörns in Klockries

Portrait of sister-in-law Fanni Jessen

Parlour in Uhlebüll

Italian shepherd family

Italian shepherd boy

Parisian cafe

Reading farmer with a pointed cap

Portrait of Peter Henningsen, Niebüll

The Red Room at Paul Moritzen

Bed

Woman at Spinning-Wheel

Old Woman at a Spinning Wheel

The Brown Parlour

Portrait of Broder Bahnsen

Portrait study of an old woman from Frisum

Brick Fireplace

Portrait study of a man with a pipe

The last consolation

A sexton with a songbook

Portrait of a young man with a pipe

Portrait of an old man

Italian Woman knitting

Susanna and the Elders

Roman woman

The Red Room at Paul Moritzen

St. Clemens church in Nebel, Amrum, Germany

Carl Ludwig Jessen (22 February 1833 – 4 January 1917) was a North Frisian painter. Today he is known as the "Frisian painter" (German: Friesenmaler) in Germany. As a Naturalist painter he is notable for depicting the contemporary rural life of his native area.

After a sponsored education in Copenhagen, Paris and Rome, Jessen returned to North Frisia where he lived off his paintings. Although one of the key figures in Northern German arts and notable for his accurate and detailed style, he has been blamed for idealising rural life.

Life

Jessen was born in Deezbüll, now a part of Niebüll, in 1833. After an apprenticeship as a carpenter he used to work as a decorator on farmsteads in the marshlands of North Frisia. Between 1848 to 1854 he began as a self-educated portrait-painter. In 1853 he quit the carpenter's business and focused exclusively on painting. From 1856 to 1865 he studied at the Royal Danish Academy of Fine Arts in Copenhagen in Wilhelm Marstrand's class with a scholarship granted by a wealthy pastor, a landowner from Vester Gammelby (now a part of Tønder Municipality in Denmark) and by the Countess Schackenburg.[1][2] Through Marstrand and fellow painters, Jessen was influenced by Høyen's idea of painting Danish national history and tradition.

When Denmark lost the duchies of Schleswig and Holstein to Prussia and Austria as a result of the Second Schleswig War in 1865, Jessen returned to North Frisia. A scholarship by the state of Prussia enabled him to travel to Paris and Rome in 1867 and 1868. During 1869/70 he lived in Klockries near Risum. According to his nephew Momme Nissen, he later lived in Hamburg from 1871 to 1875, but it has been suggested that Jessen only stayed there from 1875 to 1876.[3] Then he returned to Deezbüll where he lived from portraits and idealised homeland paintings in the style he learned in Copenhagen.

In 1893 he married Martha Elisabeth Benecke from Hamburg. Contrary to Jessen's rural paintings, the couple built a modern house which was still atypical for the area. Claassen notes that Jessen's social career in North Frisia predated his reputation as a painter, since he held many honorary appointments. In 1910, aged 77, Jessen was granted an honorific professorial title from University of Kiel. He died in Deezbüll in 1917.[4]
Reception

Carl Ludwig Jessen's work has been seen as central in the history of the arts of Northern Germany. His paintings have captured the traditions and daily life of the North Frisian community with the distinct accuracy of Naturalism. He has thus been called a chronicler of North Frisia.[2]

Jessen's reputation as a painter of idealised Frisian home country motives was promoted by his nephew Momme Nissen who was also a painter and a friend of conservative critic Julius Langbehn. In 1913 Nissen published a portfolio with 24 of his uncle's paintings which he called Nordfriesische Heimatkunst (North Frisian Homeland Art).[5]

Later critics were more differential in their approach, such as a 1918 review that notes the documentary part of Jessen works but mentions that the paintings lacked ever more in quality the harder Jessen tried to portray a specifically Frisian aspect. Schlee writes that Jessen due to his solid and crafty painting was particularly suited to accurately depict rural life but mentioned also that his works were always slightly idealised imaginations of the "good old days". This idea is supported by Clausen who writes that Jessen only painted the nice aspects of countryside life but almost completely ignored depictions of hard labour. Kaufmann observed that Jessen lost his originally naïve style of painting during his academic education.[6]
Selected works

Young Woman, Föhr, 1859

A Knitting Italian Woman, 1868

Frisian Thing Assembly, 1875[7]

The Blue Living Room, 1912

Further reading

Grunsky, Konrad; Lengsfeld, Klaus (1983). Gemaltes Nordfriesland, Carl Ludwig Jessen und seine Bilder (in German). Husum: Husum Druck- & Verlag. ISBN 978-3-88042-202-5.
Schulte-Wülwer, Ulrich (1986). "Carl Ludwig Jessen in Hamburg. Künstlerische Identitätssuche nach dem deutsch-dänischen Krieg von 1864". Nordfriesland (in German) 19: 78–86.
Schulte-Wülwer, Ulrich (2009). "Carl Ludwig Jessen". Sehnsucht nach Arkadien – Schleswig-Holsteinische Künstler in Italien (in German). Heide: Boyens. pp. 282–286. ISBN 978-3-8042-1284-8.

References

Claassen (1996), "Carl Ludwig Jessen...", p. 52.
Petersen, Katrin (2009). "Carl Ludwig Jessen (1833–1917)". In Sadowsky, Thorsten. Von Bergen bis Bergen – Positionen aus der Sammlung Kunst der Westküste (in German) (2nd ed.). Heide: Boyens Medien. p. 60. ISBN 978-3-8042-1294-7.
Claassen (1996), "Carl Ludwig Jessen...", pp. 53–54.
Claassen (1996), "Carl Ludwig Jessen...", p. 54.
Claassen (1996), "Carl Ludwig Jessen...", p. 56.
Claassen (1996), "Carl Ludwig Jessen...", pp. 56–57, citing the following:

Clausen, Jochen (1979). Darstellung des bäuerlichen Lebens in der schleswig-holsteinischen Heimatmalerei am Beispiel von Carl Ludwig Jessen [Depiction of Rural Life in the Homeland Painting of Schleswig-Holstein as shown by Carl Ludwig Jessen] (in German). Flensburg Teachers' Training College.
Kaufmann, Gerhard (1983). Carl Ludwig Jessen – Ein Realist? [Carl Ludwig Jessen – A Realist?] (Speech). Carl Ludwig Jessen exhibition, Nissen-Haus. Husum.
Sauermann, Ernst, ed. (1918). "Carl Ludwig Jessen, Deezbüll". Kunstkalender Schleswig-Holstein 1918/1919 (in German). Hamburg: Druckerei-Gesellschaft Hartung & Co. mbH.
Schlee, Ernst (15 January 1936). "Niederdeutsches Volksleben im Bilde. Ausstellung des Kunstvereins in der Kunsthalle" [Low German Rural Life in Pictures]. Nordische Rundschau (in German).
Schlee, Ernst (1963). Schleswig-holsteinische Volksleben in alten Bildern [Schleswig-Holstein Rural Life in old Images] (in German). Flensburg: Wolff.

"Carl Ludwig Jessen: Friesisches Thinggericht". Museen Schleswig-Holstein und Hamburg (in German). Museumsverband Schleswig-Holstein e. V. Retrieved 25 December 2011.

Works cited

Claassen, Uwe (1996). "Carl Ludwig Jessen (1833–1917) – ein Heimatmaler" [Carl Ludwig Jessen (1833–1917) – A Homeland Painter]. Fischernetz, Tracht und Bauernstube. Studien zur Völkerkunde und Kulturgeschichte Schleswig-Holsteins (in German) 33. Neumünster: Wachholtz. ISBN 3-529-02482-1.

External links

Carl Ludwig Jessen in the German National Library catalogue
Works by C. L. Jessen at the Schleswig-Holstein Museums Portal

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